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PROPERTY FROM A PRIVATE COLLECTION
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Clump of Trees with a Vista
細節
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Clump of Trees with a Vista
drypoint
1652
on laid paper, watermark Strasbourg Lily with pendant Initials PR (Hinterding E.a.a)
a fine impression of the second, final state
printing with considerable burr and a light plate tone
the vertical wiping marks very pronounced, with inky plate edges
with small margins on three sides, a wider margin below
generally in very good condition
Plate 125 x 213 mm.
Sheet 140 x 217 mm.
Clump of Trees with a Vista
drypoint
1652
on laid paper, watermark Strasbourg Lily with pendant Initials PR (Hinterding E.a.a)
a fine impression of the second, final state
printing with considerable burr and a light plate tone
the vertical wiping marks very pronounced, with inky plate edges
with small margins on three sides, a wider margin below
generally in very good condition
Plate 125 x 213 mm.
Sheet 140 x 217 mm.
來源
Heneage Finch, 5th Earl of Aylesford (1786-1859); sold with the entire collection to Woodburn in 1846.
With Samuel Woodburn (1786-1853), London (without his mark; see Lugt 2584).
With W. & G. Smith, London; acquired as part of the stock from the above; their sale, Sotheby's, London, 7-17 May 1849, lot 1304 ('Very fine, and in the most perfect preservation, from the same collection.') (£ 5-2-6).
Arthur Friederich Theodor Bohnenberger (1826-1893), Stuttgart (Lugt 68); then by descent to his son Theodor (1868-1941).
H. G. Gutekunst, Stuttgart, 13-17 May 1907, lot 782 ('Brillanter früher Abdruck mit viel Grat, auf Papier mit dem Lilienwappen und mit Rand. Sammlung Aylesford. Von grösster Seltenheit.').
With Kennedy Galleries, New York (with their stocknumber a 89920 in pencil verso).
With Knoedler & Co., New York (with their stocknumber K 10473 MK in pencil verso).
With Pace Prints, New York.
Acquired from the above by the present owner.
With Samuel Woodburn (1786-1853), London (without his mark; see Lugt 2584).
With W. & G. Smith, London; acquired as part of the stock from the above; their sale, Sotheby's, London, 7-17 May 1849, lot 1304 ('Very fine, and in the most perfect preservation, from the same collection.') (£ 5-2-6).
Arthur Friederich Theodor Bohnenberger (1826-1893), Stuttgart (Lugt 68); then by descent to his son Theodor (1868-1941).
H. G. Gutekunst, Stuttgart, 13-17 May 1907, lot 782 ('Brillanter früher Abdruck mit viel Grat, auf Papier mit dem Lilienwappen und mit Rand. Sammlung Aylesford. Von grösster Seltenheit.').
With Kennedy Galleries, New York (with their stocknumber a 89920 in pencil verso).
With Knoedler & Co., New York (with their stocknumber K 10473 MK in pencil verso).
With Pace Prints, New York.
Acquired from the above by the present owner.
出版
Bartsch, Hollstein 222; Hind 265; New Hollstein 272
Cynthia P. Schneider, Rembrandt’s Landscapes – Drawings and Prints, National Gallery of Art, Washington, D.C. (exh. cat)., 1990, no. 26-28, p. 128-35 (another impression illustrated).
Erik Hinterding, Rembrandt Etchings from the Frits Lugt Collection, Fondation Custodia, Paris, 2008, no. 174 & 174a, p. 410-14 (another impression illustrated).
Nicholas Stogdon, A Descriptive Catalogue of the Etchings by Rembrandt in a Private Collection, Switzerland, privately printed , 2011, no. 99, p. 168-9 & p. 350 (another impression illustrated).
Adrian Eeles, Rembrandt Prints 1648-1658 – A Brilliant Decade, University of San Diego (exh. cat.), 2015, no. 4, p. 30-31 (another impression illustrated).
Cynthia P. Schneider, Rembrandt’s Landscapes – Drawings and Prints, National Gallery of Art, Washington, D.C. (exh. cat)., 1990, no. 26-28, p. 128-35 (another impression illustrated).
Erik Hinterding, Rembrandt Etchings from the Frits Lugt Collection, Fondation Custodia, Paris, 2008, no. 174 & 174a, p. 410-14 (another impression illustrated).
Nicholas Stogdon, A Descriptive Catalogue of the Etchings by Rembrandt in a Private Collection, Switzerland, privately printed , 2011, no. 99, p. 168-9 & p. 350 (another impression illustrated).
Adrian Eeles, Rembrandt Prints 1648-1658 – A Brilliant Decade, University of San Diego (exh. cat.), 2015, no. 4, p. 30-31 (another impression illustrated).
榮譽呈獻
Stefano Franceschi
Specialist