PIERRE FILLOEUL (1696- AFTER 1654) AFTER JEAN SIMÉON CHARDIN (1699-1779)
PIERRE FILLOEUL (1696- AFTER 1654) AFTER JEAN SIMÉON CHARDIN (1699-1779)
PIERRE FILLOEUL (1696- AFTER 1654) AFTER JEAN SIMÉON CHARDIN (1699-1779)
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PRINTS FROM THE PERSONAL COLLECTION OF THE LATE CHRISTOPHER MENDEZ
PIERRE FILLOEUL (1696- AFTER 1654) AFTER JEAN SIMÉON CHARDIN (1699-1779)

Le chateau de carte (The House of Cards) & Dame prenant son thé (Woman having Tea)

細節
PIERRE FILLOEUL (1696- AFTER 1654) AFTER JEAN SIMÉON CHARDIN (1699-1779)
Le chateau de carte (The House of Cards) & Dame prenant son thé (Woman having Tea)
the pair of etchings with engraving
1737 & 1759
on laid paper, watermarks Tower surmounted by Letter T and adjacent Letters I &D, and J DUPUY FIN/ AUVERGNE (similar to Haewood 3303)
very fine impressions
published by Jacques Philippe Le Bas, Paris
with thread margins or trimmed to or just inside the platemarks
in good condition
Plate 275 x 311 mm.; Sheet 278 x 313 mm. (B. 20)
Sheet 272 x 310 mm. (B. 13)(2)
來源
With P. & D. Colnaghi & Co., London (their labels on the backboards).
Christopher Mendez (1943-2025), London; then by descent to present owners.
出版
Bocher 20 & 13; IFF 144 & 127

榮譽呈獻

Stefano Franceschi
Stefano Franceschi Specialist

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拍品專文

Although created and published more than twenty years apart, these two prints of a remarkably similar format and composition have always been considered a pair.
Pierre Filloeul captured the strange intensity and quiescence of his domestic scenes perhaps better than any of the other printmakers who created etchings after the works of Chardin.

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