GEORGE INNESS (1825-1894)
GEORGE INNESS (1825-1894)
GEORGE INNESS (1825-1894)
GEORGE INNESS (1825-1894)
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PROPERTY OF THE TOLEDO MUSEUM OF ART, SOLD TO BENEFIT THE ACQUISITIONS FUND
GEORGE INNESS (1825-1894)

Near Irvington, N.Y.

细节
GEORGE INNESS (1825-1894)
Near Irvington, N.Y.
signed and dated 'G. Inness 1877' (lower right)—inscribed with title (on the stretcher)
oil on canvas
16 ¼ x 24 ¼ in. (41.3 x 61.6 cm.)
Painted in 1877.
来源
The artist.
Robert C. Vose Galleries, Boston, Massachusetts, acquired from the above.
Edward Drummond Libbey, Toledo, Ohio, circa 1900.
Gift to the present owner from the above, 1926.
出版
"Fine Arts; In the Studios," New York Herald, September 16, 1877, p. 8.
"The Fine Arts; An Inness Exhibition at Vose's Gallery," Boston Evening Transcript, December 8, 1899, p. 10 (as Goose Girl).
"Inness," Masters in Art: A Series of Illustrated Monographs, vol. IX, no. 102, 1908, pp. 251, 227, pl. 4, illustrated (as The Goose Girl).
Toledo Museum of Art Museum News, no. 82, June 1938, n.p., illustrated.
L. Ireland, The Works of George Inness, Austin, Texas, 1965, p. 204, no. 823, illustrated (as The Goose Girl).
S.E. Strickler, The Toledo Museum of Art: American Paintings, Toledo, Ohio, 1979, pp. 150, 65, pl. 66, illustrated.
M. Quick, George Inness: A Catalogue Raisonné, vol. I, New Brunswick, New Jersey, 2007, pp. 250, 258, 343, 346, 513, 534-35, 536, no. 623, fig. 210, pl. 126, illustrated.
展览
Boston, Massachusetts, Robert C. Vose Galleries, Modern Paintings: Early English Barbizon and American, circa 1899.
Austin, Texas, University of Texas, University Art Museum, The Paintings of George Inness (1844-1894), 1965-1966, p. 26, no. 68.
Toledo, Ohio, Toledo Museum of Art, The Unseen Art of TMA: What's in the Vaults and Why?, September 12, 2004-January 2, 2005.

荣誉呈献

Quincie Dixon
Quincie Dixon Associate Specialist, Head of Sale

拍品专文

Of the present work, a contemporary critic lauded "The 'Goose Girl' belongs to the great period...when Inness was at the very summit of his power. There is more of himself in this small canvas than in any other of its size that we know. If one would know Inness, estimate him as a painter, and appreciate what he stood for in American art, it is enough to look at this picture, so rich in impulsive feeling, so prodigal of beauty, so full of urgent, keen, abounding life and sensibility. The freedom and breadth of his style has at that time become a second nature, and he expressed himself without apparent effort. It is a great picture, and a signal manifestation of genius. It ought to hang in the Museum of Fine Arts." ("The Fine Arts; An Inness Exhibition at Vose's Gallery," Boston Evening Transcript, December 8, 1899, p. 10)

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