拍品专文
With their acanthus-wrapped and laurel-cast baluster shafts, these compots closely relate to the oeuvre of the ciseleurs-doreurs Thomire et Cie., who flourished until 1843. Virtually identical balusters appear on a pair of candelabra signed THOMIRE A PARIS, which formed part of a surtout de table originally in the collection of the comtes de Pourtales and now in the Gulbenkian Museum, Lisbon (H. Ottomeyer, P. Pröschel et al., Vergoldete Bronzen, Munich, 1986, band I, p. 382, no. 5.16.1), as well as on a centrepiece in the Victoria and Albert Museum (ibid, p. 387, fig. 5.16.12)