Wifredo Lam

Considered by many to be the Picasso of Cuban art, Wifredo Lam was perhaps the best known of the Cuban modernists whose unique fusion of Afro-Cuban culture and Surrealist aesthetics has left a lasting impact on the world of modern art. Born in 1902 in Sagua La Grande, Cuba, Lam was the son of a Chinese immigrant father and a mother of African, Spanish and indigenous descent. This rich cultural heritage profoundly influenced his artistic vision and thematic explorations.

Lam’s early artistic education began in Havana, but it was his move to Spain in 1923 that marked a significant turning point in his career. There, he studied at the Academy of San Fernando in Madrid and immersed himself in the vibrant artistic circles of the time. Influenced by the works of Francisco Goya and Diego Velázquez, as well as the avant-garde movements sweeping through Europe, Lam began to develop his distinctive style.

In 1938, Wifredo Lam moved to Paris, where he befriended several leading artists, including Pablo Picasso. Picasso's encouragement played a crucial role in Lam’s development as an artist. During his time in Paris, Lam also became associated with the Surrealist movement, working closely with André Breton and other prominent figures. However, it was his return to Cuba in 1941 that catalysed the creation of his most iconic works.

Lam’s magnum opus The Jungle (The Museum of Modern Art, New York), was completed in 1943. This masterpiece remains one of the most studied and revered pieces in modern art, highlighting his ability to blend the surreal with the culturally specific.

Lam’s oeuvre is characterised by its bold lines, dynamic compositions and the incorporation of symbols and motifs from Afro-Cuban religion and mythology, the most common being a horse-headed woman. His distinctive approach is evident in other notable works such as El Tercer Mundo and La Silla.

Wifredo Lam’s signature style and innovative use of cultural iconography have cemented his place in the pantheon of great modern artists. His contributions are celebrated not only in art historical texts but also in institutions like the Centro de Arte Contemporáneo Wifredo Lam in Havana, which is dedicated to preserving and promoting his legacy.

Lam’s influence extends beyond his paintings, as he played a significant role in bridging different artistic traditions and cultural narratives. Through his art, Lam provided a powerful voice for marginalised communities and contributed to a broader understanding of the complexities of identity and cultural hybridity. His work continues to inspire and resonate with audiences worldwide, reflecting the enduring relevance of his visionary artistry.


WIFREDO LAM (1902-1982)

Two prints by the artist

Wifredo Lam (1902-1982)

Le Sabbat (Immagine No. 5)

Wifredo Lam (1902-1982)

Horizons chauds

Wifredo Lam (1902-1982)

De la même racine

Wifredo Lam (Cuban 1902-1982)

Femme Peignant ses Cheveux

Wifredo Lam (Cuban 1902-1982)

Untitled (Personnage avec oiseau)

WIFREDO LAM (1902-1982)

Si Possible (La Ofrenda)

Wifredo Lam (Cuban 1902-1982)

J'arrive (Le Temoin)

Wifredo Lam (Cuban 1902-1982)

Les bras sur la tête (La mano nella testa)

WIFREDO LAM (1902-1982)

La lettre, III

Wifredo Lam (1902-1982)

Femme assise avec fleurs

Wifredo Lam (1902-1982)

Figuras en el balcón

Wifredo Lam (1902-1982)

Oiseau papaye, Buen Retiro ou Les idoles crépusculaires

Wifredo Lam (Cuban 1902-1982)

Composition pour un matin

Wifredo Lam (Cuban 1902-1982)

Oiseau sur la terre

Wifredo Lam (1902-1982)

La Lettre, II

Wifredo Lam (1902-1982)

El gallo y la gallina