Isamu Noguchi

One of the 20th century’s most important artists and designers, Isamu Noguchi was renowned for his innovative and diverse works that span sculpture, furniture design and public spaces. Born in 1904 in Los Angeles to a Japanese father and an American mother, Noguchi’s bicultural heritage significantly influenced his artistic vision, blending Eastern and Western aesthetics.

As an artist, Noguchi was best known for his abstract sculptures and design work that integrate organic forms with modernist principles. His early education included studying under sculptor Gutzon Borglum and later with Constantin Brâncuși in Paris, where he honed his skills and developed his distinct style. Noguchi’s works are characterised by their inventiveness, fluidity, simplicity, and ability to harmonise with their surroundings. Christie’s sold a striking example of the artist’s interest in the abstraction of sculpture and the parallels between art and architecture, Olmec & Muse (1985) which was created the year before his Venice Biennale exhibition, for US$4,9811,250 in 2017.

Throughout his career, Noguchi created popular design objects including the Akari lamps made from washi paper and bamboo and the iconic coffee table produced for Herman Miller. The latter features a biomorphic glass top resting on two interlocking wooden legs, epitomising his philosophy of functional art. The table remains a celebrated example of mid-century modern design.

Noguchi’s contributions to architecture include designing public spaces and gardens that emphasise harmony and natural elements. The Isamu Noguchi Sunken Garden at the Chase Manhattan Bank Plaza in New York City is a prime example, showcasing his ability to create serene, contemplative spaces within urban environments.

In the mid-1930s the Japanese-American artist had a brief but passionate romantic affair with Mexican painter Frida Kahlo, after Noguchi travelled to Mexico City to work on a large-scale public project. Their relationship came to an end with the intervention of Kahlo’s husband Diego Rivera, but the two remained friends until Kahlo’s death.

During World War II, Noguchi was active in lobbying for civil rights for Japanese-Americans. He spent seven months at the War Relocation Camp in Poston, Arizona with the hope to start an arts-and-crafts programme that could be replicated in other camps to provide training opportunities and improving community life for internees. However, the plans were put on hold without official and Noguchi left, after much frustration and complications, in November 1942.

In 1985 the artist founded and designed his own museum, the Noguchi Museum in Long Island City, New York. The museum serves as a comprehensive collection of his works, providing insight into his artistic journey with sculptures, models, and designs that span his prolific career. Noguchi died in New York City in 1988 and the Noguchi Museum remains a vital resource for understanding his legacy and contributions to art and design.