拍品专文
Serge Grandjean (Les tabatières du musée du Louvre, Paris, 1981, no. 526) lists another box, of 1799, by P. Theremin in the Hermitage and one in the Louvre.
The enamel on the lid is after an inverse print of Elisabeth-Louise Vigée-Lebrun's oil painting 'La paix ramenant l'Abondance' of 1780, which was her entry piece to the Académie Royale. It was displayed at the Paris Salon after her admittance in 1783. Pierre Theremin re-used this scene for the decoration of another Russian box in the Geneva style, also dated 1800 (illustrated in A. von Solodkoff, Russian Gold and Silverwork, Fribourg, 1981, p. 153, fig. 200).
The enamel on the lid is after an inverse print of Elisabeth-Louise Vigée-Lebrun's oil painting 'La paix ramenant l'Abondance' of 1780, which was her entry piece to the Académie Royale. It was displayed at the Paris Salon after her admittance in 1783. Pierre Theremin re-used this scene for the decoration of another Russian box in the Geneva style, also dated 1800 (illustrated in A. von Solodkoff, Russian Gold and Silverwork, Fribourg, 1981, p. 153, fig. 200).
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