Old Master Prints concluded on 21 March, with an exceptional selection of works from the first four centuries of European printmaking totalling £3,648,834. The original cooper printing plate and print of Rembrandt’s The Angel department from the Family of Tobias was the star lot, achieving £441,000 against a pre-sale estimate of £60,000–90,000. Other standout performances included engravings by Albrecht Dürer: Knight, Death and the Devil realised £302,4000, Melencolia I achieved £226,800 and Adam & Eve sold for £214,200, all exceeding their pre-sale high estimates.

Running from 13 – 27 March, Prints and Multiples brings together important works from Impressionism to Minimalism, with a special focus on female printmakers. Notable highlights include Bridget Riley’s first screenprint, Untitled [based on Movement in Squares] (1962) and Lill Tschudi’s striking Parisian Café (1939). Other highlights include Toulouse-Lautrec’s La Danse au Moulin Rouge (1897), Picasso’s Faune dévoilant une femme (1936) and David Hockney’s glorious Sun (1973).

Concluding the season, Contemporary Edition: London, open for bidding from 18 March – 1 April, offers sought-after editions by established artists and emerging talents. Early highlights include works by Banksy, Damien Hirst, Thierry Noir and Louise Bourgeois, offering collectors a dynamic selection of contemporary printmaking.