.jpg?w=1)
.jpg?w=1)
.jpg?w=1)
Property from an Important Institution, Japan
VINCENT VAN GOGH (1853-1890)
Een eenzame man, gekleed in een overhemd, zittend met een pijp
Details
VINCENT VAN GOGH (1853-1890)
Een eenzame man, gekleed in een overhemd, zittend met een pijp
pencil on paper
18 ¾ x 10 ¼ in. (47.5 x 26 cm.)
Drawn in 1882
Een eenzame man, gekleed in een overhemd, zittend met een pijp
pencil on paper
18 ¾ x 10 ¼ in. (47.5 x 26 cm.)
Drawn in 1882
Provenance
(probably) Anna Carbentus van Gogh, Nuenen and Breda (mother of the artist; November 1885-February 1886).
Janus Schrauwen, Breda (acquired from the above, April 1888).
Jan C. Couvreur, Breda (acquired from the above, 14 August 1902).
Kees Mouwen Jr. and Willem van Bakel, Breda (acquired from the above, 1902-1903).
Henricus Petrus Bremmer, The Hague (by 1915).
Private collection, The Hague (by descent from the above, 1956).
E.J. van Wisselingh & Co., Amsterdam (1959).
Eva Kobrinsky, Winnipeg (by 1963); sale, Christie’s, London, 29 June 1982, lot 107.
Acquired at the above sale by the present owner.
Janus Schrauwen, Breda (acquired from the above, April 1888).
Jan C. Couvreur, Breda (acquired from the above, 14 August 1902).
Kees Mouwen Jr. and Willem van Bakel, Breda (acquired from the above, 1902-1903).
Henricus Petrus Bremmer, The Hague (by 1915).
Private collection, The Hague (by descent from the above, 1956).
E.J. van Wisselingh & Co., Amsterdam (1959).
Eva Kobrinsky, Winnipeg (by 1963); sale, Christie’s, London, 29 June 1982, lot 107.
Acquired at the above sale by the present owner.
Literature
J.-B. de la Faille, L'oeuvre de Vincent van Gogh, Catalogue raisonné, Paris and Brussels, 1928, vol. III, p. 51, no. 1046 (titled Batelier assis); vol. IV, no. 1046, pl. LV (illustrated).
W. Vanbeselaere, De Hollandsche periode (1880-1885) in het werk van Vincent van Gogh, Amsterdam, 1937, p. 110, no. 1086.
J.-B. de la Faille, The Works of Vincent van Gogh, His Paintings and Drawings, Amsterdam, 1970, pp. 386-387, no. F 1046 (illustrated; titled Old Seaman Seated, Full Face).
J. Hulsker, The Complete Van Gogh: Paintings, Drawings, Sketches, New York and Oxford, 1980, p. 71, no. 282 (illustrated).
J. Hulsker, The New Complete Van Gogh, Paintings, Drawings, Sketches, Amsterdam and Philadelphia, 1996, pp. 70-71, no. 282 (illustrated).
L. Jansen, H. Luijten and N. Bakker, eds., Vincent van Gogh, The Letters. The Complete Illustrated and Annotated Edition, London, 2009, letter 270.
W. Vanbeselaere, De Hollandsche periode (1880-1885) in het werk van Vincent van Gogh, Amsterdam, 1937, p. 110, no. 1086.
J.-B. de la Faille, The Works of Vincent van Gogh, His Paintings and Drawings, Amsterdam, 1970, pp. 386-387, no. F 1046 (illustrated; titled Old Seaman Seated, Full Face).
J. Hulsker, The Complete Van Gogh: Paintings, Drawings, Sketches, New York and Oxford, 1980, p. 71, no. 282 (illustrated).
J. Hulsker, The New Complete Van Gogh, Paintings, Drawings, Sketches, Amsterdam and Philadelphia, 1996, pp. 70-71, no. 282 (illustrated).
L. Jansen, H. Luijten and N. Bakker, eds., Vincent van Gogh, The Letters. The Complete Illustrated and Annotated Edition, London, 2009, letter 270.
Exhibited
Amsterdam, E.J. van Wisselingh, Maîtres français, XIX et XX siècles, 1958, no. 18 (titled Batelier assis).
Winnipeg Art Gallery, French Art from Winnipeg Collections, March 1963, no. 56 (titled Batelier assis).
Winnipeg Art Gallery, French Art from Winnipeg Collections, March 1963, no. 56 (titled Batelier assis).
Further details
The Van Gogh Museum has confirmed the authenticity of this work.
Presentado por
Jakob Angner
Associate Vice President, Specialist, Head of Impressionist and Modern Art Works on Paper Sale