Norman Lear was a giant of the entertainment industry who revolutionised the medium of television. As the creator, producer and writer of groundbreaking programs like All in the Family, The Jeffersons, Good Times and Maude, Lear explored complex and poignant issues with humour and heart.

Lear pioneered a new era of candour in television, in which audiences saw the truth of their reality reflected onscreen — from the everyday toilet flush to major sociopolitical issues of the day. Lear also expanded the scope of television narratives by including feminist characters, divorced women and wealthy as well as working-class Black families. Never shying away from important topics like politics, abortion, race and poverty, he found a way to bring viewers together through comedy.

‘He changed situation comedy in the best way possible,’ the late-night host Jimmy Kimmel said in an on-air tribute after Lear’s death in December 2023. ‘He taught us so much about so many serious things, always making us laugh while he did it. Everyone who works in, and even watches, television owes him a great debt.’

Lear’s sensitivity to the world around him permeated every aspect of his life. He and his wife, Lyn Davis Lear, sought out authentic responses to modern life across entertainment, philanthropy, activism and art. Over decades, the couple amassed an extensive art collection anchored by creatives such as David Hockney and Ed Ruscha who, like Lear, sought to represent the truth of their times. Their groundbreaking representations of post-war American culture both reflected and defined the era.

This May, Christie’s is proud to offer The Collection of Norman and Lyn Lear in New York. Led by legends of 20th-century art from Richard Diebenkorn to Willem de Kooning, the collection embodies the authenticity and dedication to truth at the heart of Lear’s life and legacy.

‘Norman used to say that whenever he flew across the country, he would look at the lights down below and think about how he had helped people laugh in all those towns,’ Lyn tells Christie’s. ‘He loved that he could bring that to people.’

Over the course of his 65-year career, Lear brought more than 100 television series to life. He was the recipient of six Primetime Emmy awards, two Peabody Awards, the National Medal of Arts, the Kennedy Center Honors and the Golden Globe Carol Burnett Award.

‘What is truth?’

Throughout the 1950s and ’60s, American television often presented an idealised portrait of the country. In 1971, Lear premiered All in the Family, which centred on the domestic conflict between prejudiced, loud-mouthed Archie Bunker and his progressive son-in-law. By tackling difficult topics with nuanced and layered storylines, the series reinvented onscreen comedy. His subsequent shows built on the success of All in the Family’s unique tone, and by the mid-1970s Lear was producing five of the 10 most popular programs on television.

Each of these programs offered a sharp look at what makes us human, a theme that runs throughout the Lears’ art collection as well. ‘What is truth? And how do you find what is true? These questions guided how Norman and I saw the world,’ says Lyn.

This theme is embodied most clearly in Ed Ruscha’s 1973 painting Truth. Like Lear, Ruscha evoked the realities of American life in his work, using everyday iconography and language to examine the contemporary experience. Truth is one of Ruscha’s iconic Text paintings, where he blends word and image on canvas. ‘There’s a reason why Norman picked that particular painting in 1980,’ says Lyn. ‘That’s what spoke to him. Everything he did in his life was really about truth.’

Lear was often drawn to artists whose stories paralleled his own. ‘He’s interested in people and life,’ George Clooney explained in the 2016 documentary Norman Lear: Just Another Version of You. ‘He sees something in everyone, and that’s what makes him so unique as an individual.’

In David Hockney, Lear recognised a shared knack for elevating the quotidian. As a British transplant to Los Angeles, Hockney revelled in the vivid landscape of his new home. In A Lawn Being Sprinkled (1967), the artist highlights the beauty of his surroundings through a commonplace scene. As palm trees reach skyward in the background, Hockney delineates the foreground with individual blades of grass being misted with water.