YAYOI KUSAMA (1929-2026)
YAYOI KUSAMA (1929-2026)
YAYOI KUSAMA (1929-2026)
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YAYOI KUSAMA (1929-2026)

Pumpkin

細節
YAYOI KUSAMA (1929-2026)
Pumpkin
screenprint in colors, on Arches paper, 2005, signed, titled and dated in pencil, numbered 188⁄380 (there were also three artist's proofs), published by ABE publishing LTD., Tokyo, with full margins, in generally very good condition, together with the accompanying book All Prints of Yayoi Kusama : 1974-2004 and the original slipcase, in the original artist's frame
Image: 5 ½ x 7 7⁄8 in. (140 x 200 mm.)
Sheet: 8 ¼ x 10 5⁄8 in. (210 x 270 mm.)
出版
Abe 352

榮譽呈獻

Lindsay Griffith
Lindsay Griffith Head of Department

拍品專文

I have been making prints ever since I was captivated by their allure, and am constantly overwhelmed by the brilliance arising from within the process of making them.

In creating art, everyday is a discovery of life amidst the daily activity of people whose existence is ephemeral. I keep looking back on my bygone days, reminding myself that prints are the endless footsteps of life.

With this thought, I keep on sending to many people my inexhaustible, intense feelings toward all things through prints, duplicating them in large numbers.

I create prints with all my heart for the people who love them. Whenever I work on prints, I am filled with a wish to convey to the people my thought in a deep, straight and pure way with clear brightness.

This is why I can keep creating prints. I wish to make countless duplicates of the same visual field and spread them across the world. This is my longing for formative arts.

Prints toward which I have these intense feelings are one of the objectives of art in my lifelong career. They also definitely represent a visual aspect of repetitive action and repetitive vision. I have been turning pages of my life using every possible means, such as sculpture, installation, electric environment, light source illusion, repetitive vision, sex-food-obsession, infinity nets, compulsion furniture, eternal vision against the background of the universe, and pursuit for ever-proliferating beauty and for boundless love and hope. And various discoveries of my soul. I would like to emphasize here that prints are part of each of these aspects. (Yayoi Kusama, Yayoi Kusama Prints: 1979 - 2017, p.5)

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