A RARE 'NUMBERED' JUN TRIPOD BARBED-RIM 'NARCISSUS BOWL'
A RARE 'NUMBERED' JUN TRIPOD BARBED-RIM 'NARCISSUS BOWL'
A RARE 'NUMBERED' JUN TRIPOD BARBED-RIM 'NARCISSUS BOWL'
1 更多
A RARE 'NUMBERED' JUN TRIPOD BARBED-RIM 'NARCISSUS BOWL'
4 更多
重要北美私人珍藏
元/明初 鈞窯玫瑰紫釉三足菱花式水仙盆 「九」字款

YUAN-EARLY MING DYNASTY

細節
元/明初 鈞窯玫瑰紫釉三足菱花式水仙盆 「九」字款
7 7⁄8 in. (20 cm.) diam., cloth box
來源
仇焱之 (1910-1980) 珍藏
太倉仇氏抗希齋曾藏珍品專拍第二場:陶瓷青銅;倫敦蘇富比,1980年12月16日,拍品編號276
香港蘇富比,1996年4月30日,拍品編號305
出版
C. 及 M. Beurdeley,《La Ceramique Chinoise: Le Guide du Connaisseur》,紐約,1974年, 彩色圖版33及34

榮譽呈獻

Rufus Chen (陳嘉安)
Rufus Chen (陳嘉安) Head of Sale, AVP, Specialist

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拍品專文

The present bowl belongs to a group of Jun vessels comprising narcissus bowls, flower pots, and zun-shaped vases with prominent flanges, where each vessel has been incised or stamped with a Chinese numeral on the base. The numbers range from one to ten, and according to the Nanyao biji (Notes of the Nanyao), composed during the Qianlong reign, the numbers are indications that pair specific flower pots with stands. In recent years, scholars have also noted that the numbers appear to have a directly proportional relationship with the sizes of the vessels, with ten representing the smallest and one, the largest. They were greatly admired by the 18th-century emperors of the Qing dynasty, who displayed them in palace buildings and gardens, and included them in court paintings. The present bowl represents the highest quality of the ‘numbered’ Jun vessels, well-made and with exquisitely mottled purplish glaze on the exterior and opalescent blue glazed on the interior.

Jun narcissus bowls of this group appear in three styles. The first style has a circular mouth rim with drum-nail bosses on the exterior, such as the one from the Linyushanren Collection Part III, sold at Christie’s New York, 22 March 2018, lot 542 (‘number five’). The second style has a six-petal lobed rim. See the ‘number nine’ example in the National Palace Museum, illustrated in A Panorama of Ceramics in the Collection of the National Palace Museum: Chun Ware, Taipei, 1999, pp. 116-7, no. 41. And the third style, which include the current bowl, has six molded bracket lobes at the flattened rim, and includes the ‘number four’ bowl, also from the Linyushanren Collection, sold at Christie’s Hong Kong, 2 December 2015, lot 2812.

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