PIERRE PATEL (PICARDY C.1605-1676 PARIS)
PIERRE PATEL (PICARDY C.1605-1676 PARIS)
PIERRE PATEL (PICARDY C.1605-1676 PARIS)
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PIERRE PATEL (PICARDY C.1605-1676 PARIS)

A landscape with a ruined bridge and herders leading their cattle

細節
PIERRE PATEL (PICARDY C.1605-1676 PARIS)
A landscape with a ruined bridge and herders leading their cattle
oil on copper, circular
12 7⁄8 in. (32.7 cm.), diameter
來源
Private collection, Pézenas, until 2010, where acquired by the present owner.
出版
N. Coural, 'Ruines, marines, tempêtes et solitudes: aspects contrastes de la peinture de paysage à Paris au milieu du XVIIe siècle', Le beau language de la nature: l'art du paysage au temps de Mazarin, Rennes, 2013, pp. 181-183, fig. 6, note 51.

榮譽呈獻

Taylor Alessio
Taylor Alessio Associate Vice President, Associate Specialist Head of Part II

拍品專文

This painting is one of only four surviving works on copper by Pierre Patel and the last remaining in private hands. While other coppers by Patel are recorded in late eighteenth-century French auctions, the only ones known to survive today are in the Kunstmuseum, Basel (inv. no. 1181); National Gallery of Canada, Ottawa (inv. no. 17608); and Musée du Louvre, Paris (inv. no. RF 3981). Like those paintings, the present work reveals Patel's marvelous ability to capture the effects of an enveloping southern light, which warmly illuminates a bucolic landscape. Here, the ancient ruins and rustic staffage evoke the Roman Campagna, and the radiant vista, whose sweeping sky seems to suggest the passage of time, recalls Virgil's enticing myth of a lost Arcadia.

The present work has been dated by Natalie Coural to the late 1630s (loc. cit.), not long after the artist had been admitted into the guild of St Germain-des-Prés (1633⁄1634) and the Académie de Saint-Luc (1635). As such, this pristinely preserved copper can be counted among the artist's earliest surviving works, and represented an important addition to Patel's oeuvre when it was rediscovered in 2010.

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