Giambologna


Jean (de) Boulogne (1529–1608) was a Flemish sculptor whose name would later be Italianised to Giovanni da Bologna or Giambologna.

Like many northern European artists, Giambologna moved to Italy in order to study classical antiquities. He would eventually be enticed to work for the Medici rulers of Florence, who recognised his talent and appreciated his business-like approach to commissions.

As court sculptor to the Grand Dukes of Tuscany, he created many monumental masterpieces in marble and bronze which still embellish public spaces and museums in Florence. These include his Abduction of a Sabine Woman, his Hercules and Centaur (both Loggia dei Lanzi) and the equestrian bronze of Cosimo I de’ Medici (Piazza della Signoria).

Giambologna’s works were not only technically brilliant in terms of finish, they were equally admired for their compositional three-dimensionality, and the fact that they demanded to be observed from numerous viewpoints. But more importantly for Giambologna’s legacy was that he was also a master of the small-scale bronze, a talent which endeared him to his Medicean patrons, who recognised the diplomatic value of sending his jewel-like creations to fellow European rulers with whom they wished to curry favour.

The appearance of these bronzes in numerous courts across the continent meant that Giambologna’s artistic influence was widespread and long-lasting. Giambologna’s fame also continued well after his death. His studio ‘assistants’, the most important being Antonio Susini (active 1580–1624), who were considered masters themselves, continued to produce Giambologna’s brilliant models until the middle of the 17th century.

A BRONZE GROUP OF THE RAPE OF A SABINE

BY GIAMBOLOGNA (C.1529-1608), FLORENCE, CIRCA 1587-98

A BRONZE FIGURE OF VENUS DRYING HERSELF

FROM A MODEL BY GIAMBOLOGNA (1529-1608), THE CAST ATTRIBUTED TO ANTONIO SUSINI (1558-1624), CIRCA 1585-1600

GROUPE REPRESENTANT L'ENLEVEMENT D'UNE SABINE

D'APRES GIAMBOLOGNA (1529-1608) ET ATTRIBUE A FERDINANDO TACCA (1619-1686), VERS 1650-1660

PAIRE DE GROUPES EN BRONZE REPRESENTANT HERCULE ET UN CENTAURE AINSI QU'HERCULE TERRASSANT ACHELOUS SOUS LA FORME D'UN TAUREAU

D'APRES GIAMBOLOGNA (1529-1608) ET PIETRO TACCA (1577-1640), TRAVAIL PROBABLEMENT FRANCAIS, PREMIERE MOITIE DU XVIIIEME SIECLE

A BRONZE FIGURE OF HERCULES SUPPORTING THE CELESTIAL GLOBE

AFTER GIAMBOLOGNA AND PIETRO TACCA, ITALIAN OR FRENCH, LATE 17TH OR EARLY 18TH CENTURY

STATUETTE REPRESENTANT UN TAUREAU

D'APRES GIAMBOLOGNA (1529-1608), FLORENCE, PREMIERE MOITIE DU XVIIEME SIECLE

A BRONZE FIGURE OF THE CRUCIFIED CHRIST

CAST FROM A MODEL BY GIAMBOLOGNA, ATTRIBUTED TO ANTONIO SUSINI AND WORKSHOP, CIRCA 1580-1600

FLORENTINE, EARLY 17TH CENTURY

PACING HORSE AND BULL

ITALIAN, AFTER GIAMBOLOGNA, 17TH CENTURY

A GILT-BRONZE FIGURE OF HERCULES

A BRONZE GROUP OF NESSUS AND DEIANIRA

AFTER GIAMBOLOGNA (1529-1608), ITALIAN, FIRST HALF 17TH CENTURY

A BRONZE FIGURE OF THE GROTICELLA VENUS

AFTER GIAMBOLOGNA, ITALIAN, 17TH CENTURY

FIGURE REPRESENTANT UN BOURREAU

D'APRES GIAMBOLOGNA (1529-1608), ITALIE, SECOND MOITIE DU XVIIEME SIECLE

MODELE EN BRONZE REPRESENTANT UN CHEVAL CABRE

D'APRES GIAMBOLOGNA (1529-1608), 17e OU 18e SIECLE

FIGURE REPRESENTANT HERCULE

D'APRES GIAMBOLOGNA (1592-1608), ITALIE, DEUXIEME MOITIE DU XVIIEME OU XVIIIEME SIECLE

GROUPE EN BRONZE DORE REPRESENTANT L'ENLEVEMENT DE DEJANIRE

FRANCE, D'APRES UN MODELE DE GIAMBOLOGNA (1529-1608), XVIIIEME SIECLE

A BRONZE GROUP OF A LION ATTACKING A HORSE

AFTER GIAMBOLOGNA, ITALIAN, 17TH CENTURY

A BRONZE MODEL OF A PACING BULL

AFTER GIAMBOLOGNA, ITALIAN, LATE 17TH CENTURY

A BRONZE GROUP OF THE RAPE OF A SABINE

AFTER GIAMBOLOGNA, ITALIAN, PROBABLY 19TH CENTURY

A BRONZE FIGURE OF HERCULES

AFTER GIAMBOLOGNA, 18TH OR 19TH CENTURY

A FRENCH BRONZE GARDEN TORCHERE FIGURE OF MERCURY

AFTER GIAMBOLOGNA, LATE 19TH CENTURY

A BRONZE GROUP OF THE VENUS BATHING AND CUPID

AFTER GIAMBOLOGNA, CIRCLE OF FRANCESCO FANELLI, SECOND QUARTER 17TH CENTURY

GROUPE REPRESENTANT HERCULE ET UN CENTAURE

D'APRES GIAMBOLOGNA (1529-1608), FRANCE, XIXEME SIECLE

A BRONZE GROUP OF THE RAPE OF A SABINE

AFTER GIAMBOLOGNA, FLEMISH OR GERMAN, 17TH CENTURY

A BRONZE FIGURE OF HERCULES

AFTER GIAMBOLOGNA, ITALIAN, EARLY 17TH CENTURY

A BRONZE FIGURE OF FORTUNA

AFTER GIAMBOLOGNA, FRENCH, LATE 18TH OR EARLY 19TH CENTURY

A BRONZE FIGURE OF A CROUCHING SOLDIER

AFTER GIAMBOLOGNA, 17TH CENTURY

A FLORENTINE MARBLE GROUP OF THE RAPE OF A SABINE WOMAN

LATE 19TH CENTURY, BY FERDINANDO VICHI, AFTER GIAMBOLOGNA

GROUPE REPRESENTANT L'ENLEVEMENT DE DEJANIRE

D'APRES GIAMBOLOGNA (1529-1608), FIN DU XIXEME SIECLE

A BRONZE MODEL OF A PACING HORSE

AFTER GIAMBOLOGNA, ITALIAN OR FLEMISH, 18TH CENTURY

A BRONZE SELF-PORTRAIT OF GIAMBOLOGNA

AFTER GIAMBOLOGNA, 17TH CENTURY

A BRONZE GROUP OF HERCULES AND THE ERYMANTHIAN BOAR

AFTER GIAMBOLOGNA, ITALIAN, LATE 18TH OR EARLY 19TH CENTURY

A BRONZE MODEL OF A PACING HORSE

AFTER GIAMBOLOGNA (1519-1608), FLORENTINE, 18TH CENTURY

FIGURE EN BRONZE REPRESENTANT L'ARCHITECTURE

D'APRES GIAMBOLOGNA (1529-1608), FLANDRES OU FRANCE, XVIIIEME SIECLE

A PARCEL-GILT AND SILVERED BRONZE CORPUS

AFTER A MODEL BY GIAMBOLOGNA, POSSIBLY FLORENTINE, LATE 16TH/EARLY 17TH CENTURY

A BRONZE FIGURE OF MERCURY

AFTER GIAMBOLOGNA, ITALIAN, 18TH CENTURY

AN ITALIAN BRONZE GROUP 'A RAPE OF A SABINE'

19TH CENTURY, AFTER THE MODEL BY GIAMBOLOGNA (1529-1608)

A BRONZE MODEL OF A PACING HORSE

AFTER GIAMBOLOGNA, ITALIAN, EARLY 17TH CENTURY

A BRONZE FIGURE OF ASTRONOMY

AFTER GIAMBOLOGNA, ITALIAN, EARLY 17TH CENTURY

A LARGE BRONZE GROUP OF THE RAPE OF THE SABINE WOMEN

AFTER GIAMBOLOGNA (1529-1608), CIRCA 1950-1980

AFTER GIAMBOLOGNA, ITALIAN, 17TH CENTURY

ALLEGORICAL FIGURE OF FLORENCE

A BRONZE FIGURE OF MERCURY

AFTER GIAMBOLOGNA, LATE 19TH/EARLY 20TH CENTURY

A BRONZE MODEL OF HERCULES SLAYING A CENTAUR

AFTER GIAMBOLOGNA, ITALIAN, 17TH CENTURY

A BRONZE FIGURE OF A CROUCHING SATYR

AFTER GIAMBOLOGNA, POSSIBLY GERMAN, LATE 16TH EARLY 17TH CENTURY