拍品 146
146
UTAGAWA HIROSHIGE (1797-1858)
UTAGAWA HIROSHIGE (1797-1858)
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Property from the Alan Medaugh Collection
UTAGAWA HIROSHIGE (1797-1858)

No. 37 Miyanokoshi

细节
UTAGAWA HIROSHIGE (1797-1858)
No. 37 Miyanokoshi
Woodblock print, from the series Kisokaido rokujukyu tsugi no uchi (Sixty-nine stations of Kisokaido Road), signed Hiroshige ga, published by Iseya Rihei (Kinjudo), circa 1835-38
Horizontal oban: 10 x 14 5⁄8 in. (25.4 x 37.1 cm.)
来源
Matsuki Zen'emon (1864-1931), Kyoto
Salvatore J. Tarantino; sold at Sotheby's New York, 6 November 1985, lot 173
Huguette Beres (1914-1999), Paris; sold at Sotheby's Paris, 27 November 2002, lot 120
出版
Hiroshige Nature and the City: Prints from the Alan Medaugh Collection (Ludion, 2023). Plate no. 163B.
展览
The Salvatore J. Tarantino Collection of Hiroshige Prints Exhibition, exhibited at the following venue:
Albuquerque Museum, Albuquerque, 25 September-27 November 1983,
The IBM Gallery of Art, New York, 10 April-19 May 1984

荣誉呈献

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Japanese and Korean Art

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拍品专文

Travelers pause along the mountain road at dusk, while the distant landscape dissolves into a soft veil of atmospheric haze. The indistinct forms of the mountains and trees create a remarkable sense of depth, while lending the scene a quiet, dreamlike quality. This delicate treatment of the background demonstrates Hiroshige’s ability to use kasumi (haze) not merely to suggest distance, but also to evoke the transient atmosphere of the mountainous landscape.

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