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The Temptation of Saint Anthony
细节
PIETER VAN DER HEYDEN (CIRCA 1530-1572) AFTER PIETER BRUEGEL THE ELDER (1525-1569)
The Temptation of Saint Anthony
engraving
1556
on laid paper, watermark Gothic P
a very good, strong impression of this uncommon subject
first state (of two)
printing with good clarity, contrasts and subtle plate tone
with a thread margin at right, trimmed on or just inside the platemark elsewhere
a few uninked printer's creases
generally in good condition
Plate & Sheet 245 x 324 mm.
The Temptation of Saint Anthony
engraving
1556
on laid paper, watermark Gothic P
a very good, strong impression of this uncommon subject
first state (of two)
printing with good clarity, contrasts and subtle plate tone
with a thread margin at right, trimmed on or just inside the platemark elsewhere
a few uninked printer's creases
generally in good condition
Plate & Sheet 245 x 324 mm.
来源
Sotheby's, London, 12 December 1991, lot 17.
With Galleria Salamon, Milan; presumably acquired at the above sale.
Private European Collection; acquired from the above between 1992 and 1998.
With Galleria Salamon, Milan; presumably acquired at the above sale.
Private European Collection; acquired from the above between 1992 and 1998.
出版
Bastelaer, Hollstein 119; Lari 114; New Hollstein 37;
J. van Grieken, G. Luijten, J. van der Stock, Hieronymous Cock - The Renaissance in Print, New Haven & London, 2013, no. 66 (another impression illustrated).
M. Bassens & J. van Grieken, Bruegel - The Complete Graphic Works, Brussels, 2019, no. 7 (another impression illustrated).
J. van Grieken, G. Luijten, J. van der Stock, Hieronymous Cock - The Renaissance in Print, New Haven & London, 2013, no. 66 (another impression illustrated).
M. Bassens & J. van Grieken, Bruegel - The Complete Graphic Works, Brussels, 2019, no. 7 (another impression illustrated).
荣誉呈献
Stefano Franceschi
Specialist