拍品专文
A related drawing in pen and brown ink, Canale delle Barche at Mestre (circa 1740-42) possibly served as a preparatory drawing for the print. It is now in the Royal Collection at Windsor (inv. no. RL 7490).
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PRINTS FROM THE PERSONAL COLLECTION OF THE LATE CHRISTOPHER MENDEZ
ANTONIO CANAL, CALLED CANALETTO (1697-1768)
Mestre
细节
ANTONIO CANAL, CALLED CANALETTO (1697-1768)
Mestre
etching
circa 1735-46
on laid paper, watermarks Three Crescents above Letter A and Letters AS surmounted by Fleur-de-Lys (Bromberg 22 and 43)
a very fine, luminous impression of the first state (of two)
printing sharply and silvery, with great clarity and contrasts
with wide margins
a repaired tear in the lower margin to the left, and other smaller defects
generally in good condition
Plate 302 x 434 mm.
Sheet 367 x 517 mm.
Mestre
etching
circa 1735-46
on laid paper, watermarks Three Crescents above Letter A and Letters AS surmounted by Fleur-de-Lys (Bromberg 22 and 43)
a very fine, luminous impression of the first state (of two)
printing sharply and silvery, with great clarity and contrasts
with wide margins
a repaired tear in the lower margin to the left, and other smaller defects
generally in good condition
Plate 302 x 434 mm.
Sheet 367 x 517 mm.
来源
Christopher Mendez (1943-2025), London; then by descent to present owners.
出版
Bromberg 3
荣誉呈献
Stefano Franceschi
Specialist
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