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Property from an Important American Collection
SALVADOR DALI (1904-1989)
Chair de poule rhinocérontique
细节
SALVADOR DALI (1904-1989)
Chair de poule rhinocérontique
signed and dated 'Dalí 1956' (lower right)
oil on canvas
36 1⁄8 x 27 ¾ in. (91.6 x 70.3 cm.)
Painted in 1956
Chair de poule rhinocérontique
signed and dated 'Dalí 1956' (lower right)
oil on canvas
36 1⁄8 x 27 ¾ in. (91.6 x 70.3 cm.)
Painted in 1956
来源
Carstairs Gallery, New York.
Bruno Pagliai, Mexico City (by 1970).
Private collection; sale, Sotheby’s, New York, 10 May 2000, lot 50.
Acquired at the above sale by the present owner.
Bruno Pagliai, Mexico City (by 1970).
Private collection; sale, Sotheby’s, New York, 10 May 2000, lot 50.
Acquired at the above sale by the present owner.
出版
R. Coates, “The Art Galleries: Dali and Miró” in The New Yorker, December 1956, p. 130.
L. Romero, Tout Dalí en un visage, Paris, 1975, pp. 114-115 and 352, no. 147 (illustrated in color, p. 114; with incorrect dimensions).
R. Gómez de la Serna, Dalí, Madrid, 1977, pp. 248 and 81 (illustrated, p. 248; detail illustrated in color, p. 81).
R. Gomez de la Serna, Dalí, New York, 1979, pp. 103 and 233 (illustrated in color, p. 105; illustrated again, p. 233).
J. Luis Rubio, “El último show de Dalí” in Cambio16, no. 419, December 1979, p. 89 (illustrated in color).
P. Ajame, La double vie de Salvador Dali, Paris, 1984, p. 215.
I. Gómez de Liaño, Dalí, Barcelona, 1984, pp. 31, 111 and 131, no. 110 (illustrated in color; with incorrect dimensions).
R. Descharnes, Salvador Dalí: The Work, The Man, New York, 1984, p. 350 (illustrated in color).
R. Descharnes and G. Néret, Salvador Dalí: The Paintings, Cologne, 2001, pp. 490 and 767, no. 1101 (illustrated in color, p. 490; with incorrect dimensions).
R. Descharnes and N. Descharnes, Dalí: Le dur et le mou, sortilège et magie des formes, Azay-le-Rideau, 2003, pp. 70 and 272, no. 148 (illustrated in color, p. 70).
M. Buysschaert and F. Malerba, eds., Dalí, exh. cat., Palazzo Grassi, Venice, 2004, pp. 395-396 (illustrated in color, p. 395, fig. 1).
F. Lechien, Dalí, Dalí! ou l'éclosion apothéosique d'un sculpteur, Brussels, 2004, p. 73 (illustrated in color).
M. Aguer and T.C. Salomon, eds., Dalí: Il sogno del classico, exh. cat., Palazzo Blu, Pisa, 2016, pp. 38-39 and 45 (illustrated in color, p. 39, fig. 21).
Fundació Gala-Salvador Dalí, ed., Salvador Dalí: Catálogo razonado de pinturas, (www.salvador-dali.org/es/), no. P 721 (illustrated in color; accessed March 2026).
L. Romero, Tout Dalí en un visage, Paris, 1975, pp. 114-115 and 352, no. 147 (illustrated in color, p. 114; with incorrect dimensions).
R. Gómez de la Serna, Dalí, Madrid, 1977, pp. 248 and 81 (illustrated, p. 248; detail illustrated in color, p. 81).
R. Gomez de la Serna, Dalí, New York, 1979, pp. 103 and 233 (illustrated in color, p. 105; illustrated again, p. 233).
J. Luis Rubio, “El último show de Dalí” in Cambio16, no. 419, December 1979, p. 89 (illustrated in color).
P. Ajame, La double vie de Salvador Dali, Paris, 1984, p. 215.
I. Gómez de Liaño, Dalí, Barcelona, 1984, pp. 31, 111 and 131, no. 110 (illustrated in color; with incorrect dimensions).
R. Descharnes, Salvador Dalí: The Work, The Man, New York, 1984, p. 350 (illustrated in color).
R. Descharnes and G. Néret, Salvador Dalí: The Paintings, Cologne, 2001, pp. 490 and 767, no. 1101 (illustrated in color, p. 490; with incorrect dimensions).
R. Descharnes and N. Descharnes, Dalí: Le dur et le mou, sortilège et magie des formes, Azay-le-Rideau, 2003, pp. 70 and 272, no. 148 (illustrated in color, p. 70).
M. Buysschaert and F. Malerba, eds., Dalí, exh. cat., Palazzo Grassi, Venice, 2004, pp. 395-396 (illustrated in color, p. 395, fig. 1).
F. Lechien, Dalí, Dalí! ou l'éclosion apothéosique d'un sculpteur, Brussels, 2004, p. 73 (illustrated in color).
M. Aguer and T.C. Salomon, eds., Dalí: Il sogno del classico, exh. cat., Palazzo Blu, Pisa, 2016, pp. 38-39 and 45 (illustrated in color, p. 39, fig. 21).
Fundació Gala-Salvador Dalí, ed., Salvador Dalí: Catálogo razonado de pinturas, (www.salvador-dali.org/es/), no. P 721 (illustrated in color; accessed March 2026).
展览
New York, Carstairs Gallery, Salvador Dalí, December 1956-January 1957, no. 3.
Tokyo Prince Hotel Gallery; Nagoya, Prefectural Museum of Art and Kyoto Municipal Art Gallery, Salvador Dalí, Japan 1964, September-November 1964, p. 96, no. 54 (illustrated; with incorrect dimensions).
Los Angeles Country Museum of Art, 1967 (on loan).
Rotterdam, Museum Boijmans-van Beuningen, Dalí, November 1970-January 1971, no. 84 (illustrated).
Baden-Baden, Staatliche Kunsthalle, Dalí: Gemälde, Zeichnungen, Objekte, Schmuck, January-March 1971, pp. 171 and 179, no. 68 (illustrated, p. 177; with incorrect dimensions).
Tokyo Prince Hotel Gallery; Nagoya, Prefectural Museum of Art and Kyoto Municipal Art Gallery, Salvador Dalí, Japan 1964, September-November 1964, p. 96, no. 54 (illustrated; with incorrect dimensions).
Los Angeles Country Museum of Art, 1967 (on loan).
Rotterdam, Museum Boijmans-van Beuningen, Dalí, November 1970-January 1971, no. 84 (illustrated).
Baden-Baden, Staatliche Kunsthalle, Dalí: Gemälde, Zeichnungen, Objekte, Schmuck, January-March 1971, pp. 171 and 179, no. 68 (illustrated, p. 177; with incorrect dimensions).
荣誉呈献
Rachael White Young
Senior Vice President, Senior Specialist, Co-Head of 20th Century Evening Sale