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THE JOANNA CARSON COLLECTION: A LEGACY OF GLAMOUR AND GIVING, PROPERTY SOLD WITH THE INTENT TO BENEFIT VARIOUS CHARITIES
PABLO PICASSO (1881-1973)
Trois pommes et verre
细节
PABLO PICASSO (1881-1973)
Trois pommes et verre
signed and dated 'Picasso 23' (upper left)
oil and sand on canvas
9 ½ x 13 in. (24.2 x 33 cm.)
Executed in 1923
Trois pommes et verre
signed and dated 'Picasso 23' (upper left)
oil and sand on canvas
9 ½ x 13 in. (24.2 x 33 cm.)
Executed in 1923
来源
Paul Rosenberg & Co., Paris (acquired from the artist, 1925).
Justin K. Thannhauser, Berlin and New York (acquired from the above, by 1932).
The Solomon R. Guggenheim Foundation, New York (bequest from the above, 1976); sale, Sotheby Parke Bernet, Inc., New York, 21 May 1981, lot 557.
Joanna and Johnny Carson, Los Angeles (acquired at the above sale).
The Joanna Carson Collection, Los Angeles, 1984.
Justin K. Thannhauser, Berlin and New York (acquired from the above, by 1932).
The Solomon R. Guggenheim Foundation, New York (bequest from the above, 1976); sale, Sotheby Parke Bernet, Inc., New York, 21 May 1981, lot 557.
Joanna and Johnny Carson, Los Angeles (acquired at the above sale).
The Joanna Carson Collection, Los Angeles, 1984.
出版
C. Zervos, "De l'importance de l'objet dans la peinture d'aujourd'hui" in Cahiers d'Art, 1930, vol. 5, p. 288 (illustrated; titled Composition).
C. Zervos, Pablo Picasso, Milan, 1937, pl. XII (titled Natura morta).
C. Zervos, Pablo Picasso, Paris, 1952, vol. 5, no. 64 (illustrated, pl. 36; with inverted dimensions).
The Solomon R. Guggenheim Foundation, ed., Masterpieces of Modern Art: A Picture Book of 19th and 20th Century Masterpieces from the Thannhauser Foundation, New York, 1972, p. 64 (illustrated in color; titled Still Life with Apples).
V.E. Barnett, The Guggenheim Museum: Justin K. Thannhauser Collection, New York, 1978, p. 154, no. 53 (illustrated in color, p. 155; titled Still Life with Apples).
J. Palau i Fabre, Picasso: From the Ballets to Drama (1917-1926), Cologne, 1999, p. 517, no. 1336 (illustrated, p. 368; with inverted dimensions).
T. Bezzola, Picasso by Picasso: His First Museum Exhibition 1932, exh. cat., Kunsthaus Zürich, 2010, pp. 204 and 231, no. 131 (illustrated in color, p. 231; titled Nature morte aux pommes or Apfel).
C. Zervos, Pablo Picasso, Milan, 1937, pl. XII (titled Natura morta).
C. Zervos, Pablo Picasso, Paris, 1952, vol. 5, no. 64 (illustrated, pl. 36; with inverted dimensions).
The Solomon R. Guggenheim Foundation, ed., Masterpieces of Modern Art: A Picture Book of 19th and 20th Century Masterpieces from the Thannhauser Foundation, New York, 1972, p. 64 (illustrated in color; titled Still Life with Apples).
V.E. Barnett, The Guggenheim Museum: Justin K. Thannhauser Collection, New York, 1978, p. 154, no. 53 (illustrated in color, p. 155; titled Still Life with Apples).
J. Palau i Fabre, Picasso: From the Ballets to Drama (1917-1926), Cologne, 1999, p. 517, no. 1336 (illustrated, p. 368; with inverted dimensions).
T. Bezzola, Picasso by Picasso: His First Museum Exhibition 1932, exh. cat., Kunsthaus Zürich, 2010, pp. 204 and 231, no. 131 (illustrated in color, p. 231; titled Nature morte aux pommes or Apfel).
展览
Paris, Paul Rosenberg & Co., Exposition d’oeuvres récents de Picasso, June-July 1926, p. 3, no. 5 (titled Verre, couteau et pommes).
Kunsthaus Zürich, Picasso Retrospektive: 1901-1932, September-October 1932, p. 10, no. 131 (titled Äpfel).
Buenos Aires, Galería Müller, Picasso, October 1934, no. 11 (titled Naturalezza muerta con manzanas).
Adelaide, National Art Gallery; Melbourne, Town Hall and Sydney, David Jones, Exhibition of French and British Contemporary Art, August-November 1939, no. 89 (titled Nature morte).
New York, The Solomon R. Guggenheim Foundation (on extended loan, 1965-1976).
Kunsthaus Zürich, Picasso Retrospektive: 1901-1932, September-October 1932, p. 10, no. 131 (titled Äpfel).
Buenos Aires, Galería Müller, Picasso, October 1934, no. 11 (titled Naturalezza muerta con manzanas).
Adelaide, National Art Gallery; Melbourne, Town Hall and Sydney, David Jones, Exhibition of French and British Contemporary Art, August-November 1939, no. 89 (titled Nature morte).
New York, The Solomon R. Guggenheim Foundation (on extended loan, 1965-1976).
荣誉呈献
Emmanuelle Loulmet
Specialist, Head of the Impressionist and Modern Day Sale