At the Seashore (Summer Pleasures)

Starting around 1910, Edward Henry Potthast sought out the beaches of New York, most notably Coney Island and Rockaway Beach, to depict the rising tides of leisure culture. As industrialization drove the middle and upper classes to seek respite in nature, celebrating and depicting leisure became commonplace among Impressionist circles. Standing at the intersection of Impressionism and Realism, Potthast embraced the bustle of places such as Coney Island, Far Rockaway and Brighton Beach, the more populist haunts. Like the Realists, Potthast focused on energetic compositions rather than the kind of languid gentility often portrayed by the Impressionists; yet, like the Impressionists, he painted in a palette of high color and lightness. With artistic bravura and a painterly surface, Potthast renders Summer Pleasures with a masterly sense of composition as the figures' clothes lightly flutter in the ocean breeze while another group splashes in the crashing surf. As in the present work, according to Diane Smith-Hurd, Potthast’s painting is "at its best with subtleties of color in reflected light, as well as color in direct sun-shine." (Edward Henry Potthast, 1857-1927: An American Painter, Cincinnati, Ohio, 1994, n.p.)