拍品专文
This remarkable dagger is part of a broad group of daggers characterised by their distinctive hilt form, off-centre fuller, and extensive gold decoration along the full length of the blade. Daggers in this group are in the State Hermitage Museum, St Petersburg (V.O.-432, V.O.-498 and V.O.-3390), the State History Museum, Moscow (7071/op), and the National Museum, Krakow (V-2218 /1-2), among other collections. Within this group, the present dagger is remarkable for the extent and quality of its inlay, which can be contrasted with the cheaper gold overlay more typical of this group. It must be considered one of the best of its kind.
A dagger of particular importance to our understanding of this group is in the Metropolitan Museum of Art, New York (91.1.890a-c). It carries a long inscription in Georgian bearing the name of David Chavchavadze (1817-84), a Lieutenant General in the Russian imperial army, and is dated AH 1273 / 1856-7 AD in Eastern Arabic numerals and 1861 in Western Arabic numerals as part of the Georgian inscription. As Chavchavadze participated in a military campaign in Daghestan during AH 1273, it is likely that he acquired the dagger there at this time, and had the Georgian inscription added several years later. Our dagger must be attributed to a similar period.
A dagger of particular importance to our understanding of this group is in the Metropolitan Museum of Art, New York (91.1.890a-c). It carries a long inscription in Georgian bearing the name of David Chavchavadze (1817-84), a Lieutenant General in the Russian imperial army, and is dated AH 1273 / 1856-7 AD in Eastern Arabic numerals and 1861 in Western Arabic numerals as part of the Georgian inscription. As Chavchavadze participated in a military campaign in Daghestan during AH 1273, it is likely that he acquired the dagger there at this time, and had the Georgian inscription added several years later. Our dagger must be attributed to a similar period.
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