拍品 1132

1132

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Property from an Important Asian Collection

A RARE UNDERGLAZE-BLUE GROUND IRON-RED AND YELLOW-ENAMELLED QUATREFOIL ‘DRAGON’ WASHER

LONGQING SIX-CHARACTER MARK IN UNDERGLAZE BLUE WITHIN A DOUBLE CIRCLE AND OF THE PERIOD (1567-1572)

细节

5 1⁄8 in. (13 cm.) diam., box

来源

Acquired from Mr. Yang Yongde, 13 May 1983, Hong Kong
The Tianminlou Collection
Sold at China Guardian, The Tianminlou Collection,11 June 2023, lot 2891

出版

Liu Liang-yu, Appreciation of Chinese Ceramics Through the Ages – 4: Ming Official Wares, Taipei, 1991, p. 237
Geng Baochang, Identification of Ming and Qing Porcelains, Beijing, 1993, p. 139, fig. 255; p. 500, col. pl. 68
Ye Peilan, Polychrome Porcelains, Jinan, 2005, p. 95, pl. 156

展览

Ancient Chinese Ceramics from the Kau Chi Society of Chinese Art, Art Museum, The Chinese University of Hong Kong, Hong Kong, 19 December 1981 – 18 February 1982, pl. 105
Ancient Chinese Ceramics from the Hong Kong Kau Chi Society of Chinese Art, National Museum of History, Taipei, 20 April – 30 May 1982, pl. 105
An Anthology of Chinese Works of Art – Min Chiu Society Silver Jubilee Exhibition, Hong Kong Museum of Art, Hong Kong, 25 October 1985 – 15 January 1986, p. 364, pl. 159
Tianminlou Collection of Chinese Ceramics, vol. I, Hong Kong Museum of Art, Urban Council, Hong Kong, 1987, p. 120, pl. 73
Exhibition of Famous Chinese Ceramics – 2000 Years of Chinese Ceramic Excellence, Japan, 1992, p. 96, pl. 93
Special Exhibition of Ming and Qing Polychrome Wares from the Tianminlou Foundation, Shanghai, 23-25 April 1994, pp. 10-11, pl. 4
Exhibition of Treasures of Legacy – Min Chiu Society Golden Jubilee Exhibition, Hong Kong, 25 September 2010 – 2 January 2011, p. 296, pl. 153

业务规定

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Marco Almeida (安偉達) SVP, Senior International Specialist, Head of Department & Head of Private Sales

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拍品专文

The Longqing reign lasted only six years, and official kiln productions from this period are exceedingly rare. Surviving examples suggest that Longqing porcelain continued the technical and stylistic traditions of Jiajing, with blue-and-white and wucai wares dominating production. A closely related example of similar form is in the Baur Collection, illustrated by John Ayers in The Baur Collection Geneva: Chinese Ceramics, vol. I, Geneva, 1999, p. 156, pl. 95.

LONGQING SIX-CHARACTER MARK IN UNDERGLAZE BLUE WITHIN A DOUBLE CIRCLE AND OF THE PERIOD (1567-1572)

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