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La Victoire de Villetaneuse (The Victory of Villetaneuse)
细节
CÉSAR (1921-1998)
La Victoire de Villetaneuse (The Victory of Villetaneuse)
signed and indistinctly dated 'César 1966' (to the base); stamped with the foundry mark and numbered ‘SUSSE FONDEUR PARIS 9⁄9' (to the base)
bronze with black patina
90 1/8in. x 36 ¼ x 40 1/8in. (229 x 92.2 x 102cm.)
Conceived in 1965 and executed in 1966, this work is number nine from an edition of nine, plus three artist's proofs
La Victoire de Villetaneuse (The Victory of Villetaneuse)
signed and indistinctly dated 'César 1966' (to the base); stamped with the foundry mark and numbered ‘SUSSE FONDEUR PARIS 9⁄9' (to the base)
bronze with black patina
90 1/8in. x 36 ¼ x 40 1/8in. (229 x 92.2 x 102cm.)
Conceived in 1965 and executed in 1966, this work is number nine from an edition of nine, plus three artist's proofs
来源
Roger and Josette Vanthournout, Belgium, and thence by descent.
出版
"Trois Sculpteurs au Musée des Arts Décoratifs", in XXe Siècle. Nouvelle Série - XXVIIIe Année - N° 26, Mai 1966: Marc Chagall, Portes à reliefs d'Afrique Occidentale, La Ville, 1907-1717 - Les Grandes Biennales, 1965 (detail of another from the edition, illustrated, unpaged).
U. Kultermann, The New Sculpture environments and assemblages, New York 1968, p. 218, no. 6 (another version illustrated, p. 10).
W. Schwartz, The Hand and the Eye of the Sculptor, London 1969 (studio view of another from the edition illustrated, pp. 44-47).
César, exh, cat., Paris, Centre National d’Art Contemporain - Archives de l'Art Contemporain, 1970, (another from the edition illustrated, pp. 32-34).
P. Cabanne, César par César, Paris, 1971 (iron version illustrated, unpaged).
César. Fers 1950-1960, exh. cat, Paris, Galerie H. Creuzevault, 1971 (another from the edition illustrated).
P. Restany, César, 1975 (iron edition illustrated in colour, pp. 79, 82 and 83).
P. Restany, César, Monte-Carlo, 1976 (illustrated, p. 79).
R.M. Mason, "César au Complet", in XX Siècle, XXXVIII Année, no. 47, December 1976 (iron edition illustrated, p. 45).
Exposition d'Art Contemporain dans les Collections privées liégeoises, 35 ans de l'APIAW, exh. cat., Boverie, Liège, 1980, no. 7 (another from the edition, illustrated).
P. Restany, César (Mains et Merveilles), Paris 1988, p. 387 (another from the edition illustrated in colour, p. 197).
U. Kultermann, The New Sculpture environments and assemblages, New York 1968, p. 218, no. 6 (another version illustrated, p. 10).
W. Schwartz, The Hand and the Eye of the Sculptor, London 1969 (studio view of another from the edition illustrated, pp. 44-47).
César, exh, cat., Paris, Centre National d’Art Contemporain - Archives de l'Art Contemporain, 1970, (another from the edition illustrated, pp. 32-34).
P. Cabanne, César par César, Paris, 1971 (iron version illustrated, unpaged).
César. Fers 1950-1960, exh. cat, Paris, Galerie H. Creuzevault, 1971 (another from the edition illustrated).
P. Restany, César, 1975 (iron edition illustrated in colour, pp. 79, 82 and 83).
P. Restany, César, Monte-Carlo, 1976 (illustrated, p. 79).
R.M. Mason, "César au Complet", in XX Siècle, XXXVIII Année, no. 47, December 1976 (iron edition illustrated, p. 45).
Exposition d'Art Contemporain dans les Collections privées liégeoises, 35 ans de l'APIAW, exh. cat., Boverie, Liège, 1980, no. 7 (another from the edition, illustrated).
P. Restany, César (Mains et Merveilles), Paris 1988, p. 387 (another from the edition illustrated in colour, p. 197).
展览
Paris, Musée des Arts Décoratifs, Trois sculpteurs, César, Roël d'Haese, Tinguely, 1965, no. 30 (iron version exhibited, illustrated, unpaged).
Duisburg, Wilhelm Lerhmbruck Museum, César, 1966, p. 32, no. 27 (another from the edition exhibited, illustrated, p. 27).
Marseille, Musée Cantini, César, 1966, no.36 (another from the edition exhibited, unpaged).
New York, Guggenheim Museum, Sculpture from Twenty Nations, 1967-1968 (iron version exhibited, illustrated, p. 81). This exhibition later travelled to Toronto, Art Gallery of Ontario; Ottawa, The National Gallery of Canada and Montreal, Montreal Museum of Fine Arts.
Paris, Galerie Creuzevault, César : fers 1950-1960, bronzes, 1971 (another from the edition exhibited, unpaged).
Tokyo, Seibu Gallery, Masters of Modern Sculpture, 1973, no. 15 (another from the edition exhibited, illustrated).
Geneva, Musée Rath, César Rétrospective des Sculptures, 1976-1977, p. 75, no.33 (iron version exhibited, illustrated, p. 45). This exhibition later travelled to Grenoble, Musée de peinture et de sculpture; Knokke, Casino; Rotterdam, Museum Boymans-van Beuningen and Pairs, Musée d’art Moderne de la Ville de Paris.
Antibes, Musée Picasso, César, la question de la sculpture, 1978 (another from the edition exhibited, illustrated, p. 15).
Roubaix, Hôtel de Ville, César Rétrospective, 1981 (another from the edition exhibited, illustrated). This exhibition later travelled to Cabriès en Provence and Brest, Musée des Beaux-Arts.
Vienna, Museum of Modern Art, Anthropos, 1981, p. 42 (another from the edition exhibited, illustrated, p. 43).
Liège, Museum of Modern Art, César, 1982, p.32, no. 20 (another from the edition exhibited).
Tokyo, Tokyo Art Museum, César, Tokyo, 1982, p. 103, no. 16 (another from the edition exhibited, illustrated in colour, p. 34).
Paris, Pavillon des Arts, César, 1983 (another from the edition exhibited, illustrated in colour, p. 30).
Paris, Musée de la Poste, César Bronzes, 1984, no. 10 (another from the edition exhibited, illustrated in colour, p. 21).
Dunkirk, Musée d'Art Contemporain, César, 1955-1985, 1985, p. 44 (another from the edition exhibited).
Marseille, Musée Cantini, Ils collectionnent, 1985, p. 52, no. 33 (another from the edition exhibited, illustrated in colour, p. 20).
Fréjus, Fondation Daniel Templon, Musée Temporaire, L'art en France 1945-1990, 1990 (another from the edition exhibited, illustrated in colour, p. 71).
Marseille, Centre de la Vieille Charité, César, 1993 (iron version exhibited, illustrated in colour, p. 109).
Seoul, National Museum of Contemporary Art, 1948-1996, César a retrospective, 1996 (another from the edition exhibited, illustrated, p. 117).
Paris, Galerie Nationale du Jeu de Paume, César, 1997 (another from the edition exhibited, illustrated in colour, p. 113).
Malmö, Malmö Konsthall, César, 1998 (another from the edition exhibited, illustrated).
Milan, Palazzo Reale, César, 1998, pp. 32, 82 and 174 (iron version exhibited, illustrated, p. 83).
Montevideo, Museum of Visual Arts, César, 1999 (another from the edition exhibited, illustrated). This exhibition later travelled to São Paulo, Brazilian Museum of Sculpture and Mexico City, National Institute of Fine Arts,
Paris, Centre national d'art et de culture Georges Pompidou, César, 2017-2018, p. 247 (plaster and iron versions exhibited, illustrated in colour, pp. 80-81).
Duisburg, Wilhelm Lerhmbruck Museum, César, 1966, p. 32, no. 27 (another from the edition exhibited, illustrated, p. 27).
Marseille, Musée Cantini, César, 1966, no.36 (another from the edition exhibited, unpaged).
New York, Guggenheim Museum, Sculpture from Twenty Nations, 1967-1968 (iron version exhibited, illustrated, p. 81). This exhibition later travelled to Toronto, Art Gallery of Ontario; Ottawa, The National Gallery of Canada and Montreal, Montreal Museum of Fine Arts.
Paris, Galerie Creuzevault, César : fers 1950-1960, bronzes, 1971 (another from the edition exhibited, unpaged).
Tokyo, Seibu Gallery, Masters of Modern Sculpture, 1973, no. 15 (another from the edition exhibited, illustrated).
Geneva, Musée Rath, César Rétrospective des Sculptures, 1976-1977, p. 75, no.33 (iron version exhibited, illustrated, p. 45). This exhibition later travelled to Grenoble, Musée de peinture et de sculpture; Knokke, Casino; Rotterdam, Museum Boymans-van Beuningen and Pairs, Musée d’art Moderne de la Ville de Paris.
Antibes, Musée Picasso, César, la question de la sculpture, 1978 (another from the edition exhibited, illustrated, p. 15).
Roubaix, Hôtel de Ville, César Rétrospective, 1981 (another from the edition exhibited, illustrated). This exhibition later travelled to Cabriès en Provence and Brest, Musée des Beaux-Arts.
Vienna, Museum of Modern Art, Anthropos, 1981, p. 42 (another from the edition exhibited, illustrated, p. 43).
Liège, Museum of Modern Art, César, 1982, p.32, no. 20 (another from the edition exhibited).
Tokyo, Tokyo Art Museum, César, Tokyo, 1982, p. 103, no. 16 (another from the edition exhibited, illustrated in colour, p. 34).
Paris, Pavillon des Arts, César, 1983 (another from the edition exhibited, illustrated in colour, p. 30).
Paris, Musée de la Poste, César Bronzes, 1984, no. 10 (another from the edition exhibited, illustrated in colour, p. 21).
Dunkirk, Musée d'Art Contemporain, César, 1955-1985, 1985, p. 44 (another from the edition exhibited).
Marseille, Musée Cantini, Ils collectionnent, 1985, p. 52, no. 33 (another from the edition exhibited, illustrated in colour, p. 20).
Fréjus, Fondation Daniel Templon, Musée Temporaire, L'art en France 1945-1990, 1990 (another from the edition exhibited, illustrated in colour, p. 71).
Marseille, Centre de la Vieille Charité, César, 1993 (iron version exhibited, illustrated in colour, p. 109).
Seoul, National Museum of Contemporary Art, 1948-1996, César a retrospective, 1996 (another from the edition exhibited, illustrated, p. 117).
Paris, Galerie Nationale du Jeu de Paume, César, 1997 (another from the edition exhibited, illustrated in colour, p. 113).
Malmö, Malmö Konsthall, César, 1998 (another from the edition exhibited, illustrated).
Milan, Palazzo Reale, César, 1998, pp. 32, 82 and 174 (iron version exhibited, illustrated, p. 83).
Montevideo, Museum of Visual Arts, César, 1999 (another from the edition exhibited, illustrated). This exhibition later travelled to São Paulo, Brazilian Museum of Sculpture and Mexico City, National Institute of Fine Arts,
Paris, Centre national d'art et de culture Georges Pompidou, César, 2017-2018, p. 247 (plaster and iron versions exhibited, illustrated in colour, pp. 80-81).
更多详情
This work is recorded in the archives of Madame Denyse Durand-Ruel under no. 378, with the approval of Madame Stéphanie Busuttil, holder of César's moral rights.
荣誉呈献
Charlie Campbell-Gray
Associate Specialist