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The Burial of Saint Jerome
细节
ALEJO FERNÁNDEZ (GERMANY? C. 1475-1545 SEVILLE)
The Burial of Saint Jerome
oil on panel, unframed
55 1⁄8 x 36 5⁄8 in. (140 x 93 cm.)
The Burial of Saint Jerome
oil on panel, unframed
55 1⁄8 x 36 5⁄8 in. (140 x 93 cm.)
来源
The Monastery of San Jerónimo de Valparaíso, Córdoba, as part of the high altarpiece.
Diego José Monroy y Aguilera (1786-1856), Córdoba, and by whom sold in 1836 to,
Isidore Justin Séverin, Baron Taylor (1789-1879), on behalf of,
King Louis Philippe I of France (1773-1850), Paris, later London, by 1838; his deceased sale, Christie's, London, 6 May 1853, lot 11, as 'Cordoba' (to Herman for 8.57 gns.); (the above according to A. Velasco Gonzàlez, loc. cit.).
William Graham (1817-1885), 35 Grosvenor Place, London, and by descent to his daughter,
Dame Agnes Lowndes Jekyll, née Graham (1861-1937) DBE, GCStJ, Munstead Wood, Surrey, and by descent to her grandson,
David McKenna (1911-2003), MBE, OBE, London, and by whom sold; [The Property of David McKenna, Esq.]; Sotheby's, London, 2 July 1958, lot 45, as V. Civerchio (to Wengraf).
Private collection, England, from whom acquired by the grandfather of the present owner.
Diego José Monroy y Aguilera (1786-1856), Córdoba, and by whom sold in 1836 to,
Isidore Justin Séverin, Baron Taylor (1789-1879), on behalf of,
King Louis Philippe I of France (1773-1850), Paris, later London, by 1838; his deceased sale, Christie's, London, 6 May 1853, lot 11, as 'Cordoba' (to Herman for 8.57 gns.); (the above according to A. Velasco Gonzàlez, loc. cit.).
William Graham (1817-1885), 35 Grosvenor Place, London, and by descent to his daughter,
Dame Agnes Lowndes Jekyll, née Graham (1861-1937) DBE, GCStJ, Munstead Wood, Surrey, and by descent to her grandson,
David McKenna (1911-2003), MBE, OBE, London, and by whom sold; [The Property of David McKenna, Esq.]; Sotheby's, London, 2 July 1958, lot 45, as V. Civerchio (to Wengraf).
Private collection, England, from whom acquired by the grandfather of the present owner.
出版
Notice des tableaux de la Galerie Espagnole exposés dans les salles du Musée Royal au Louvre, Paris, 1838, p. 25, no. 79, as Pedro de Córdoba.
‘Galerie Espagnole’, Le Temps, 4 February 1838.
A. de Circourt, ‘Du Musée espagnol’, France et Europe, 25 May 1838, p. 103.
A. Siret, Dictionnaire Historique des Peintres de Toutes les Écoles Dépuis les Temps les Plus Reculés Jusqu'a nos Jours, Brussels, 1848, p. 293, as Pedro de Córdoba, citing the painting in the Galerie Espagnole.
E. Laforge, Des arts et des artistes en Espagne jusqu'a la fin du dix-huitième siècle, Lyon, 1849, p. 180, as Pedro de Córdoba.
R. Gracia Boix, El Real Monasterio de San Jerónimo de Valparaíso en Córdoba, Córdoba, 1973, p. 150, publishing the inventory of movable property from the monastery of San Jerónimo de Valparaíso, Córdoba.
J. Baticle and C. Marinas, La Galerie espagnole de Louis-Philippe au Louvre, 1838-1848, Paris, 1981, p. 73, as Pedro de Córdoba, citing the painting in the Galerie Espagnole.
J.M. Palencia Cerezo, Museo de Bellas Artes de Córdoba: Colecciones fundacionales (1835-1868), Córdoba, 1997, p. 9, connecting Alejo Fernández's Death of Saint Jerome compartment to the Pedro de Córdoba panel in King Louis Philippe’s Spanish Gallery.
J.A. Vigara Zafra, ‘La galería española de Luis Felipe de Orleáns y sus vinculaciones con el patrimonio pictórico de Córdoba’, Boletín de Arte, no. 32-33, 2012, p. 660-661, connecting Alejo Fernández's Death of Saint Jerome compartment to the Pedro de Córdoba panel in King Louis Philippe’s Spanish Gallery.
J. A. Gómez Sánchez, Alejo Fernández y la pintura sevillana del primer tercio del siglo XVI, doctoral thesis, Seville, University of Seville, 2016, pp. 346-347, connecting Alejo Fernández's Death of Saint Jerome compartment to the Pedro de Córdoba panel in King Louis Philippe’s Spanish Gallery.
A. Velasco Gonzàlez, 'Un Entierro de San Jerónimo procedente del retablo mayor del monasterio de San Jerónimo de Valparaíso (Córdoba), nueva obra de Alejo Fernández', Philostrato. Revista de Historia y Arte, XIII, 2023, p. 33-61.
‘Galerie Espagnole’, Le Temps, 4 February 1838.
A. de Circourt, ‘Du Musée espagnol’, France et Europe, 25 May 1838, p. 103.
A. Siret, Dictionnaire Historique des Peintres de Toutes les Écoles Dépuis les Temps les Plus Reculés Jusqu'a nos Jours, Brussels, 1848, p. 293, as Pedro de Córdoba, citing the painting in the Galerie Espagnole.
E. Laforge, Des arts et des artistes en Espagne jusqu'a la fin du dix-huitième siècle, Lyon, 1849, p. 180, as Pedro de Córdoba.
R. Gracia Boix, El Real Monasterio de San Jerónimo de Valparaíso en Córdoba, Córdoba, 1973, p. 150, publishing the inventory of movable property from the monastery of San Jerónimo de Valparaíso, Córdoba.
J. Baticle and C. Marinas, La Galerie espagnole de Louis-Philippe au Louvre, 1838-1848, Paris, 1981, p. 73, as Pedro de Córdoba, citing the painting in the Galerie Espagnole.
J.M. Palencia Cerezo, Museo de Bellas Artes de Córdoba: Colecciones fundacionales (1835-1868), Córdoba, 1997, p. 9, connecting Alejo Fernández's Death of Saint Jerome compartment to the Pedro de Córdoba panel in King Louis Philippe’s Spanish Gallery.
J.A. Vigara Zafra, ‘La galería española de Luis Felipe de Orleáns y sus vinculaciones con el patrimonio pictórico de Córdoba’, Boletín de Arte, no. 32-33, 2012, p. 660-661, connecting Alejo Fernández's Death of Saint Jerome compartment to the Pedro de Córdoba panel in King Louis Philippe’s Spanish Gallery.
J. A. Gómez Sánchez, Alejo Fernández y la pintura sevillana del primer tercio del siglo XVI, doctoral thesis, Seville, University of Seville, 2016, pp. 346-347, connecting Alejo Fernández's Death of Saint Jerome compartment to the Pedro de Córdoba panel in King Louis Philippe’s Spanish Gallery.
A. Velasco Gonzàlez, 'Un Entierro de San Jerónimo procedente del retablo mayor del monasterio de San Jerónimo de Valparaíso (Córdoba), nueva obra de Alejo Fernández', Philostrato. Revista de Historia y Arte, XIII, 2023, p. 33-61.
展览
Paris, Musée du Louvre, Galerie Espagnole, 1838-1848, as Pedro de Córdoba.
荣誉呈献
Jennifer Wright
Head of Department