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Property from the Hispanic Society Museum to Benefit the Collection Care and Acquisition Fund
WILLEM ADRIAENSZ. KEY (BREDA 1515/ 16-1568 ANTWERP)
Portrait of a lady, three-quarter length, traditionally identified as the wife of Martinus del Rio
细节
WILLEM ADRIAENSZ. KEY (BREDA 1515/ 16-1568 ANTWERP)
Portrait of a lady, three-quarter length, traditionally identified as the wife of Martinus del Rio
oil on panel
33 7⁄8 x 26 3⁄8 in. (86 x 66.8 cm.)
Portrait of a lady, three-quarter length, traditionally identified as the wife of Martinus del Rio
oil on panel
33 7⁄8 x 26 3⁄8 in. (86 x 66.8 cm.)
来源
(Possibly) Baron van der Graecht, Bruges.
with Ehrich Galleries, New York, where acquired by,
Rita de Acosta Lydig (1875-1929), New York; her sale, American Art Galleries, New York, 4 April 1913, lot 133, as 'Antonio Moro', where acquired with its pendant (lot 132) by the following ($5,200),
with Ehrich Galleries, New York, where acquired by,
Archer Milton Huntington (1870-1955), New York, and by whom presented to the Hispanic Society of America on 25 August 1921.
with Ehrich Galleries, New York, where acquired by,
Rita de Acosta Lydig (1875-1929), New York; her sale, American Art Galleries, New York, 4 April 1913, lot 133, as 'Antonio Moro', where acquired with its pendant (lot 132) by the following ($5,200),
with Ehrich Galleries, New York, where acquired by,
Archer Milton Huntington (1870-1955), New York, and by whom presented to the Hispanic Society of America on 25 August 1921.
出版
'Mrs. Lydig to Sell her Art Treasures', The Sun, 23 February 1913, p. 11, as Anthonis Mor.
'Lydig Art Sale April 4', New-York Tribune, 23 February 1913, p. 11, as Anthonis Mor.
'Mrs. Philip Lydig's Notable Art Collection on View', The Sun, 16 March 1913, p. 11, as Anthonis Mor.
W.R. Valentiner, The Rita Lydig Collection, New York, 1913, pp. xiii-xv and 13, no. 10, as Anthonis Mor.
W.R. Valentiner, 'Mrs. Lydig's Library', Art in America, I, no. 2, April 1913, p. 67, fig. 2, and pp. 74-75, as Anthonis Mor.
'Mrs. Lydig's Renaissance and Gothic Objects', New-York Tribune, 1 April 1913, p. 13, as Anthonis Mor.
'Mrs. Lydig's Art is Charming in Home', The Sun, 1 April 1913, p. 13, as Anthonis Mor.
'Mrs. Lydig's Home Nest of Treasures', The Sun, 2 April 1913, p. 97, as Anthonis Mor.
'Lydig Collection Sold for $362,555', The New York Times, 5 April 1913, p. 15, as Anthonis Mor.
'Loan Exhibition Continues. Prof. G.H. Edgell to Hold Conference on Paintings at 3.30', The Harvard Crimson, 21 November 1916, as Anthonis Mor.
E.W. Forbes, Report of the Fogg Art Museum, 1916-17, Cambridge, 1917, p. 249, as Anthonis Mor.
Fogg Museum, Catalogue of Medieval and Renaissance Paintings, Cambridge, 1919, p. 308.
Hispanic Society of America, List of Paintings, New York, 1925, n.p., no. A65, as Artist Unknown.
E. du Gué Trapier, Catalogue of Paintings (16th, 17th, and 18th Centuries) in the collection of the Hispanic Society of America, New York, 1929, pp. 28-29, no. A65, as attributed to Anthonis Mor.
Hispanic Society of America, Moro in the Collection of the Hispanic Society of America, New York, 1930, no. A65, as attributed to Anthonis Mor.
G. Marlier, Anthonis Mor van Dashorst (Antonio Moro), Brussels, 1934, p. 107, no. 85, under doubtful attributions.
K. Morris Lester, Accessories of Dress, Peoria, 1940, pp. 545 and 547, pl. LV, as attributed to Anthonis Mor
J. Hunt, 'Jewelled Neck Furs and Flohpelze', Pantheon, May/June 1963, pp. 151-153 and 157, figs. 2 and 10, as Unknown Artist, formerly ascribed to Anthonis Mor.
M.J. Friedländer, Early Netherlandish Painting, XIII, Antonis Mor and his Contemporaries, New York and Washington, 1975, p. 106, no. 406, pl. 196, as Anthonis Mor.
'Lydig Art Sale April 4', New-York Tribune, 23 February 1913, p. 11, as Anthonis Mor.
'Mrs. Philip Lydig's Notable Art Collection on View', The Sun, 16 March 1913, p. 11, as Anthonis Mor.
W.R. Valentiner, The Rita Lydig Collection, New York, 1913, pp. xiii-xv and 13, no. 10, as Anthonis Mor.
W.R. Valentiner, 'Mrs. Lydig's Library', Art in America, I, no. 2, April 1913, p. 67, fig. 2, and pp. 74-75, as Anthonis Mor.
'Mrs. Lydig's Renaissance and Gothic Objects', New-York Tribune, 1 April 1913, p. 13, as Anthonis Mor.
'Mrs. Lydig's Art is Charming in Home', The Sun, 1 April 1913, p. 13, as Anthonis Mor.
'Mrs. Lydig's Home Nest of Treasures', The Sun, 2 April 1913, p. 97, as Anthonis Mor.
'Lydig Collection Sold for $362,555', The New York Times, 5 April 1913, p. 15, as Anthonis Mor.
'Loan Exhibition Continues. Prof. G.H. Edgell to Hold Conference on Paintings at 3.30', The Harvard Crimson, 21 November 1916, as Anthonis Mor.
E.W. Forbes, Report of the Fogg Art Museum, 1916-17, Cambridge, 1917, p. 249, as Anthonis Mor.
Fogg Museum, Catalogue of Medieval and Renaissance Paintings, Cambridge, 1919, p. 308.
Hispanic Society of America, List of Paintings, New York, 1925, n.p., no. A65, as Artist Unknown.
E. du Gué Trapier, Catalogue of Paintings (16th, 17th, and 18th Centuries) in the collection of the Hispanic Society of America, New York, 1929, pp. 28-29, no. A65, as attributed to Anthonis Mor.
Hispanic Society of America, Moro in the Collection of the Hispanic Society of America, New York, 1930, no. A65, as attributed to Anthonis Mor.
G. Marlier, Anthonis Mor van Dashorst (Antonio Moro), Brussels, 1934, p. 107, no. 85, under doubtful attributions.
K. Morris Lester, Accessories of Dress, Peoria, 1940, pp. 545 and 547, pl. LV, as attributed to Anthonis Mor
J. Hunt, 'Jewelled Neck Furs and Flohpelze', Pantheon, May/June 1963, pp. 151-153 and 157, figs. 2 and 10, as Unknown Artist, formerly ascribed to Anthonis Mor.
M.J. Friedländer, Early Netherlandish Painting, XIII, Antonis Mor and his Contemporaries, New York and Washington, 1975, p. 106, no. 406, pl. 196, as Anthonis Mor.
展览
Fogg Art Museum, Cambridge, Exhibition of Flemish Painting, 15 November-6 December 1916, as Anthonis Mor, loaned by Ehrich Galleries.
荣誉呈献
Jennifer Wright
Head of Department