BERNARDO STROZZI (GENOA 1581-1644 VENICE)
BERNARDO STROZZI (GENOA 1581-1644 VENICE)
BERNARDO STROZZI (GENOA 1581-1644 VENICE)
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Property from the Hispanic Society Museum to Benefit the Collection Care and Acquisition Fund
BERNARDO STROZZI (GENOA 1581-1644 VENICE)

Saint John the Baptist in the Wilderness

细节
BERNARDO STROZZI (GENOA 1581-1644 VENICE)
Saint John the Baptist in the Wilderness
oil on canvas
38 ¾ x 32 ½ in. (98.4 x 82.6 cm.)
来源
Philip William Flower (1810-1872), London, and by whose estate sold,
[Property sold by the Order of the Trustees of the late Philip William Flower, Esq]; Christie's, London, 14 July 1911, lot 89, as Spagnoletto.
with Ehrich Galleries, New York, by 1915, where acquired on 26 August 1921 by,
Archer Milton Huntington (1870-1955), New York, for the Hispanic Society of America.
出版
A.L. Mayer, 'Cuadros españoles en colecciones americanas', Boletín de la Sociedad Española de Excursiones, XXIII, June 1915, p. 107, illustrated, as José Antolínez.
Hispanic Society of America, List of Paintings, New York, 1925, n.p., no. A66, as Attributed to Antolínez.
E. du Gué Trapier, Catalogue of Paintings (16th, 17th, and 18th Centuries) in the Collection of the Hispanic Society of America, New York, 1929, pp. 235-236, no. A66, as Attributed to Claudio José Vicente Antolínez y Sarabia.
Hispanic Society of America, Antolinez in the Collection of the Hispanic Society of America, New York, 1929, n.p., no. A66, as Attributed to Antolinez.
M.S. Soria, 'Jose Antolínez. Retratos y otras obras', Archivo Español de Arte, IXXX, no. 113, 1956, p. 8, as School of Strozzi.
J.A. Gaya Nuno, La pintura española fuera de España, 1958, p. 105, no. 251, as José Antolínez.
B.B. Frederickson and F. Zeri, Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections, Cambridge, 1972, pp. 193, 415 and 604.

荣誉呈献

Taylor Alessio
Taylor Alessio Junior Specialist, Head of Part II

拍品专文

This Saint John the Baptist in the Wilderness is characteristic of the devotional half-length saints that Strozzi produced throughout his career. According to Soprani, Strozzi began painting 'qualche mezza figura d'un San Francesco, d'una Santa Chiara o d'altro santo del Paradiso' ('some half-length figures of a Saint Francis, a Saint Clare, or another saint of Paradise') during his years as a Capuchin friar (R. Soprani, Le vite de' pittori, scoltori et architetti genovesi, Genoa, 1674, p. 156), establishing a category of intimate devotional images that remained a specialty of his production.

The Baptist gestures toward his reed cross staff, from which hangs a scroll inscribed Ecce Agnus Dei. His intense gaze and dramatically lit torso reflect the Caravaggesque naturalism of Strozzi's mature Genoese work, while the vigorous handling of the muscular anatomy and rich impasto of the fleece demonstrate his confident brushwork. The composition relates to other single-figure devotional canvases such as his Saint Catherine of Alexandria (Hartford, Wadsworth Atheneum Museum of Art) and Saint Cecilia (Kansas City, Nelson-Atkins Museum of Art), recorded in the 1621 inventory of Giovan Carlo Doria.

更多来自 古典大师绘画及雕塑(第二部分)

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