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The Trooper
细节
FREDERIC REMINGTON (1861-1909)
The Trooper
signed 'Frederc Remington.' (lower right)
oil on canvas
48 ½ x 34 in. (123.2 x 86.4 cm.)
Painted circa 1891.
The Trooper
signed 'Frederc Remington.' (lower right)
oil on canvas
48 ½ x 34 in. (123.2 x 86.4 cm.)
Painted circa 1891.
来源
Bayard Dominck, Beacon, New York.
The Union Club, New York, gift from the above.
J.N. Bartfield Galleries, Inc., New York.
George Ablah, Kansas.
J.N. Bartfield Galleries, Inc., New York, acquired from the above.
John F. Eulich, Dallas, Texas, acquired from the above, 1981.
Sotheby's, New York, 20 May 1998, lot 52, sold by the above.
Acquired by the present owner from the above.
The Union Club, New York, gift from the above.
J.N. Bartfield Galleries, Inc., New York.
George Ablah, Kansas.
J.N. Bartfield Galleries, Inc., New York, acquired from the above.
John F. Eulich, Dallas, Texas, acquired from the above, 1981.
Sotheby's, New York, 20 May 1998, lot 52, sold by the above.
Acquired by the present owner from the above.
出版
Remington ledger book of paintings, c. 1887-1892, No. 71.839, Frederic Remington Art Museum, Ogdensburg, New York.
Philadelphia Inquirer, January 21, 1892.
Letter from Remington to Lieutenant Alvin H. Sydenham, January 21, 1892.
P. Hassrick, Frederic Remington: Paintings, Drawings and Sculpture in the Amon Carter Museum and Sid W. Richardson Foundation Collections, New York, 1973, p. 34 (as Right Front into Line—Come On!).
P. Samuels, H. Samuels, Frederic Remington: A Biography, Garden City, New York, 1982, p. 158 (as Right Front into Line, Come On!).
R. Stewart, The American West: Legendary Artists of the Frontier, Dallas, Texas, 1986, pp. 70-71, illustrated.
A.P. Splete, M.D. Splete, Frederic Remington: Selected Letters, New York, 1988, pp. 118-19, 121, 126 (as Right Front into Line, Come On!).
M.E. Shapiro, P.H. Hassrick, Frederic Remington: The Masterworks, exhibition catalogue, Cody Wyoming, 1988, pp. 113, 123, fig. 58, illustrated.
D. Allen, "Remington: An American Original," Step-By-Step Graphics, vol. V, no. 1, January 1989, p. 121, fig. 6, illustrated.
P.F. Panzeri, Little Big Horn, 1876: Custer's Last Stand, London, 1995, p. 31, illustrated.
P.H. Hassrick, M.J. Webster, Frederic Remington: A Catalogue Raisonné, vol. I, Cody, Wyoming, 1996, p. 372, no. 1215, illustrated; vol. II, p. 532, pl. 40, illustrated.
Philadelphia Inquirer, January 21, 1892.
Letter from Remington to Lieutenant Alvin H. Sydenham, January 21, 1892.
P. Hassrick, Frederic Remington: Paintings, Drawings and Sculpture in the Amon Carter Museum and Sid W. Richardson Foundation Collections, New York, 1973, p. 34 (as Right Front into Line—Come On!).
P. Samuels, H. Samuels, Frederic Remington: A Biography, Garden City, New York, 1982, p. 158 (as Right Front into Line, Come On!).
R. Stewart, The American West: Legendary Artists of the Frontier, Dallas, Texas, 1986, pp. 70-71, illustrated.
A.P. Splete, M.D. Splete, Frederic Remington: Selected Letters, New York, 1988, pp. 118-19, 121, 126 (as Right Front into Line, Come On!).
M.E. Shapiro, P.H. Hassrick, Frederic Remington: The Masterworks, exhibition catalogue, Cody Wyoming, 1988, pp. 113, 123, fig. 58, illustrated.
D. Allen, "Remington: An American Original," Step-By-Step Graphics, vol. V, no. 1, January 1989, p. 121, fig. 6, illustrated.
P.F. Panzeri, Little Big Horn, 1876: Custer's Last Stand, London, 1995, p. 31, illustrated.
P.H. Hassrick, M.J. Webster, Frederic Remington: A Catalogue Raisonné, vol. I, Cody, Wyoming, 1996, p. 372, no. 1215, illustrated; vol. II, p. 532, pl. 40, illustrated.
展览
New York, National Academy of Design, Tenth Autumn Exhibition, November 23-December 20, 1891, no. 363 (as Right Front into Line—Come On).
Philadelphia, Pennsylvania, Pennsylvania Academy of the Fine Arts, 62nd Annual Exhibition, January 21-March 5, 1892, p. 31, no. 204 (as Right Front into Line—Come On).
New York, Wildenstein & Co., How the West Was Won, May 22-June 22, 1968, n.p., no. 21, illustrated.
Cody, Wyoming, The Whitney Gallery of Western Art, The Art of Frederic Remington: An Exhibition Honoring Harold McCracken, May 1- September 30, 1974, p. 42, no. 49, illustrated.
Memphis, Tennessee, Dixon Gallery and Gardens; Peoria, Illinois, Lakeview Museum of Arts & Sciences; Oklahoma City, Oklahoma, National Cowboy Hall of Fame; Phoenix, Arizona, Phoenix Art Museum; Montgomery, Alabama, Montgomery Museum of Fine Arts; Chattanooga, Tennessee, Hunter Museum of Art; Savannah, Georgia, Telfair Academy of Art; West Palm Beach, Norton Gallery and School of Art; Dallas, Texas, Dallas Museum of Art; Columbus, Ohio, Columbus Museum of Art; Little Rock, Arkansas, Arkansas Art Center, The American West: Legendary Artists of the Frontier, September 22, 1991-January 15, 1995, p. 28, cover illustration.
Boston, Massachusetts, Museum of Fine Arts, Things I Love: The Many Collections of William I. Koch, August 31-November 13, 2005, pp. 22, 27, 108, 118, illustrated.
Philadelphia, Pennsylvania, Pennsylvania Academy of the Fine Arts, 62nd Annual Exhibition, January 21-March 5, 1892, p. 31, no. 204 (as Right Front into Line—Come On).
New York, Wildenstein & Co., How the West Was Won, May 22-June 22, 1968, n.p., no. 21, illustrated.
Cody, Wyoming, The Whitney Gallery of Western Art, The Art of Frederic Remington: An Exhibition Honoring Harold McCracken, May 1- September 30, 1974, p. 42, no. 49, illustrated.
Memphis, Tennessee, Dixon Gallery and Gardens; Peoria, Illinois, Lakeview Museum of Arts & Sciences; Oklahoma City, Oklahoma, National Cowboy Hall of Fame; Phoenix, Arizona, Phoenix Art Museum; Montgomery, Alabama, Montgomery Museum of Fine Arts; Chattanooga, Tennessee, Hunter Museum of Art; Savannah, Georgia, Telfair Academy of Art; West Palm Beach, Norton Gallery and School of Art; Dallas, Texas, Dallas Museum of Art; Columbus, Ohio, Columbus Museum of Art; Little Rock, Arkansas, Arkansas Art Center, The American West: Legendary Artists of the Frontier, September 22, 1991-January 15, 1995, p. 28, cover illustration.
Boston, Massachusetts, Museum of Fine Arts, Things I Love: The Many Collections of William I. Koch, August 31-November 13, 2005, pp. 22, 27, 108, 118, illustrated.
荣誉呈献
Tylee Abbott
Senior Vice President, Head of American Art