QUIRINGH VAN BREKELENKAM (?ZWAMMERDAM, NEAR LEIDEN AFTER 1622-?1669 OR AFTER LEIDEN)
QUIRINGH VAN BREKELENKAM (?ZWAMMERDAM, NEAR LEIDEN AFTER 1622-?1669 OR AFTER LEIDEN)
QUIRINGH VAN BREKELENKAM (?ZWAMMERDAM, NEAR LEIDEN AFTER 1622-?1669 OR AFTER LEIDEN)
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Property from an Important Private Collection
QUIRINGH VAN BREKELENKAM (?ZWAMMERDAM, NEAR LEIDEN AFTER 1622-?1669 OR AFTER LEIDEN)

A maidservant seated by a fireplace in a kitchen

细节
QUIRINGH VAN BREKELENKAM (?ZWAMMERDAM, NEAR LEIDEN AFTER 1622-?1669 OR AFTER LEIDEN)
A maidservant seated by a fireplace in a kitchen
oil on a panel
18 ½ x 14 ¾ in. (47 x 37.5 cm.)
来源
[The Property of the Rt. Hon. Earl of Lanesborough]; Christie's, London, 13 July 1951, lot 46, as G. Metsu, 480 gns. to the following,
with Agnew's, London, by 1951, as G. Metsu.
[Property of a Lady]; Christie's, London, 13 December 1996, lot 283, where acquired by the present owner.
出版
'From a London exhibition: life and seascapes by Old Masters,' The Illustrated London News, CCXIX, 1951, p. 718.
H. Shipp, 'Dutch and Flemish Paintings, Part II - Interiors,' Apollo, LVI, November 1952, pp. 143 and 145, illustrated.
展览
Agnew's, London, Autumn Exhibition of Fine Pictures by Old Masters, October-December 1951, no. 480, as G. Metsu.

荣誉呈献

Taylor Alessio
Taylor Alessio Junior Specialist, Head of Part II

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拍品专文

Quiringh van Brekelenkam was long thought to have been a student of the celebrated Leiden fijsnschilder (‘fine painter’) Gerrit Dou. This assumption has more recently been questioned by scholars, however, as it was based only on a brief entry by an anonymous 18th-century biographer (for more on Brekelenkam’s early biography see A. Lasius, Quiringh van Brekelenkam, Doornspijk, 1992, pp. 10-11). Although there are no records detailing Brekelenkam’s training, his paintings are closely related to that of the fijsnschilder, especially in subject matter, often depicting market stalls, inn scenes and domestic interiors, as in the present painting. Brekelenkam was a prolific painter, evidenced by the several hundred extant genre scenes, favoring depictions of craftspeople and workshops, perhaps inspired by his own upbringing in a tailor’s workshop.

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