ADRIAEN JANSZ. VAN OSTADE (HAARLEM 1610-1685)
ADRIAEN JANSZ. VAN OSTADE (HAARLEM 1610-1685)
ADRIAEN JANSZ. VAN OSTADE (HAARLEM 1610-1685)
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Property from the Museum of Fine Arts, Boston
ADRIAEN JANSZ. VAN OSTADE (HAARLEM 1610-1685)

Peasants merrymaking in a tavern

细节
ADRIAEN JANSZ. VAN OSTADE (HAARLEM 1610-1685)
Peasants merrymaking in a tavern
oil on panel
18 ½ x 24 7⁄8 in. (47 x 63.2 cm.)
来源
Sir R. Brackenbury.
Robert White, Edinburgh; his sale, Christie's, London, 11 June 1853, lot 49, where acquired for 23 gns. by,
Frederick Richard Sears (1824-1907), Boston, and sold by his estate to his son,
Philip Shelton Sears (1867-1953), Brookline, MA.
with John Mitchell, London and New York, by 1941, and by whom probably sold to the following,
Max B. Berman, New York, by 1944, and by whom consigned to the following,
with French and Company, New York (stock no. 77274⁄2), by 1945, where acquired by the Museum of Fine Arts, Boston on 11 October 1945.
出版
'Acquisitions, September 13, 1945 through December 13 1945,' Bulletin of the Museum of Fine Arts, Boston, XLIV, February 1946, p. 30.
W.G. Constable, Summary Catalogue of European Paintings in Oil, Tempera and Pastel, Boston, 1955, p. 50.
R. Klessmann, 'Die Anfänge des Bauerninterieurs bei den Brüdern Ostade,' Jahrbuch der Berliner Museen, II, 1960, pp. 108-109, fig. 13.
A.R. Murphy, European Paintings in the Museum of Fine Arts: An Illustrated Summary Catalogue, Boston, 1985, p. 221, illustrated.

荣誉呈献

Taylor Alessio
Taylor Alessio Junior Specialist, Head of Part II

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拍品专文

Adriaen van Ostade began his painting career in the studio of Frans Hals, where he likely crossed paths with the artist Adriaen Brouwer. It was the latter who had a decisive influence on the young artist's genre scenes. Ostade's early works follow Brouwer's caricature-like style, but his later works take a more sensitive approach to his subjects. The bagpipe player is a theme van Ostade returned to on a number of occasions. A similar painting (fig. 1), now in a private collection, also depicts the musician standing on a table above a group of merry-makers in an interior. Here shown in shadow, the bagpipe player is at the center of the composition, around which vignettes of peasant life are arranged.

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