STATUE DE BODHISATTVA EN PORCELAINE BRUNE REHAUSSÉE D'OR
STATUE DE BODHISATTVA EN PORCELAINE BRUNE REHAUSSÉE D'OR
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ƒ: In addition to the regular Buyer’s premium, a c… 显示更多 Property of a Southeast Asian collector
STATUE DE BODHISATTVA EN PORCELAINE BRUNE REHAUSSÉE D'OR

CHINE, DYNASTIE QING, XVIIIÈME-XIXÈME SIÈCLE

细节
Hauteur : 29,8 cm. (11 ¾ in.)
来源
American private collection, acquired in Hong Kong in the 1950s, and thence by descent within the family.
Christie's New York, 22-23 March 2012, lot 2124.
注意事项
ƒ: In addition to the regular Buyer’s premium, a commission of 5.5% inclusive of VAT of the hammer price will be charged to the buyer. It will be refunded to the Buyer upon proof of export of the lot outside the European Union within the legal time limit. (Please refer to section VAT refunds)
更多详情
A GILT-DECORATED BROWN-GLAZED FIGURE OF A BODHISATTVA
CHINA, QING DYNASTY, 18TH-19TH CENTURY

荣誉呈献

Tiphaine Nicoul
Tiphaine Nicoul Head of department

拍品专文

This unusual iconographic pose, with both arms raised in a gesture of offering, is extremely rare among Buddhist images of the Qing period. The inspiration of this unusual kneeling posture is modeled on Ming dynasty, Xuande period, gilt-bronze. Compare the Ming gilt-bronze kneeling bodhisattva in the Berti Aschmann Foundation, Museum Reitberg, Zurich, illustrated in On the Path to Enlightenment, 1995, p. 122, no. 72, which is slightly smaller at 21 cm. high.

A nearly identical figure dated to the Qianlong period is illustrated by I.L. Legeza, A Descriptive and Illustrated Catalogue of the Malcolm MacDonald Collection of Chinese Ceramics, London, 1972, p. 79, no. 384. Three related polychrome figures of seated Sakyamuni, each with varied hand gestures, are illustrated in Monarchy and its Buddhist Way: Tibetan-Buddhist Ritual Implements, National Palace Museum, Taipei, 1999, no. 23; and a smaller seated Buddha (15.9 cm. high) in the collection of the Nanjing Museum, is illustrated in Qing Imperial Porcelain, Hong Kong, 1995, no. 72. Compare, also, a similar figure executed in gilt-bronze and champlevé enamel dated to the Qianlong period, in the Victoria and Albert Museum, illustrated by S. W. Bushell, Chinese Art, London, 1924, vol. II, fig. 94.

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