LI CHEN (B. 1963)
LI CHEN (B. 1963)

The Sound of Nature

细节
88(H) x 60 x 50 cm. (34 5/8 x 23 5/8 x 19 5/8 in.)
来源
Private Collection, Asia
出版
Asia Art Center, Li Chen: Energy of Emptiness - 52nd International Art Exhibition - La Biennale di Venezia, Taipei, Taiwan, 2007 (another edition illustrated, p. 160-161)
Asia Art Center, Li Chen: In Search of Spiritual Space - Solo Exhibition at National Art Museum of China, Taipei, Taiwan, 2008 (another
edition illustrated, p. 100-103)

荣誉呈献

Sylvia Cheung
Sylvia Cheung

拍品专文

The art of Li Chen is imbued with a childish sense of innocence as well as an enigmatic and timeless wisdom; if any sculpture could elevate human nature, that power would be within the works by Li. He presents a spiritual essence from the East that gives his works a completely different viewing experience compared with Western sculptures.

Angelic Smile (Lot 435) is part of Li's The Beacon series from 2009-2010. Its inspiration comes from a time when Li returned home, lighted up a candle in the Buddhist shrine to bask in tranquility and warmth, while remembering his early drafts for his other work from the same series, Illuminator. To Li, the act of ignition is a type of rest, therapy, and also ritualistic enjoyment; from the interaction between man and fire, a romantic state of mind arises and dances with the candlelight, and the heart is allowed to slow, giving space for one's dialogue with oneself. Angelic Smile represents one who is filled with blessing, joy, and ecstasy, peering skywards bashfully and sincerely. Behind the figure, the cloud almost seems like a bathing cap or a pillow, and while one cannot see the figure's face when viewing from the rear, one can almost discern an abstract representation of a face. This stroke of genius engages the imagination and pushes towards hyper-realism.

The Sound of Nature (Lot 436) is part of the Spiritual Journey through the Great Ether series, developed since 2001, and its unique shape and suspended presentational method can trace its roots back to the Bonshō bells in Buddhist temples. It is written in Ekottara Agama that "when the bell rings, all evil and suffering shall cease." The sound of the bell is symbolic of ritual cleansing that opens the heart's eye to break free from all troubles. In a characteristic twist and transformation, Li took a whimsical approach to combine the rounded forms of the man and the bell and gave it a hook that resembles headphones. A single look at the peaceful and friendly visage of The Sound of Nature is all it takes for viewers to be drawn in and become engrossed.

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