ALBRECHT DÜRER (1471-1528)
ALBRECHT DÜRER (1471-1528)

Ulrich Varnbüler

细节
ALBRECHT DÜRER (1471-1528)
Ulrich Varnbüler
chiaroscuro woodcut printed from three blocks in ochre, brown and black, 1522, on laid paper, watermark Circle with Two Arcs (Meder 258), a very good Meder IIIa impression of this rare and large portrait print, the colours fresh, trimmed on or just inside the borderline on three sides, very slightly into the address of W. Janssen (Blaeu), a small made up area at the upper sheet edge at centre, the usual horizontal central crease split in places and reinforced, otherwise in good condition

Sheet 437 x 327 mm.
来源
Cabinet Brentano-Birckenstock (18th & 19th century), Vienna and Frankfurt (Lugt 345); their sale, F.A.C. Prestel, Frankfurt am Main, 16 May 1870, lot 268 ('Très belle épreuve du clair-obscur de trois planches, imprimée d’une couleur brunâtre. Dans la marge inférieure on lit l’addresse de W. Janssen. Très-rare. Il y a quelques petites restaurations.') (Fl. 96; to Holloway).
Alfred Morrison (1821-1897), London and Fonthill (Lugt 151); his sale, Sotheby's, London, 11-14 July 1906 (£49).
出版
Bartsch 150; Meder, Hollstein, Schoch Mende Scherbaum 256; Strauss, chiaroscuro 1

荣誉呈献

Tim Schmelcher
Tim Schmelcher International Specialist

拍品专文

Ulrich Varnbüler (1474-1544) was Imperial Councillor and Chancellor to Archduke Ferdinand I, King of Bohemia and Hungary. He became a close friend of both Dürer and Willibald Pirckheimer in about 1515. In 1519 Varnbüler issued a translation of Erasmus's tract Dulce bellum inexperto and in 1522, the year of Dürer's woodcut, Pirckheimer dedicated a Latin translation of Lucian's dialogue Navis sue vota to Varnbüler. Dürer's dedication on the present woodcut reads: 'Albrecht Dürer of Nuremberg wishes to make known to posterity and to honour by this likeness his dearest friend Ulrich, surnamed Varnbüler, confidential and principal secretary to the Imperial Roman Government'. Dürer's preparatory charcoal drawing for the woodcut is in the Albertina, Vienna (W. 908).

Dürer himself did not conceive this print as a chiaroscuro woodcut and no contemporary colour impressions of the woodcut exist. As part of a Dürer 'renaissance' in the Netherlands in the late 16th century, Hendrik Hondius issued impressions of the line block around 1600. The block then passed to Willem Janssen (Blaeu), who cut two tone blocks and printed chiaroscuro impressions sometime after 1620.

Strauss records eleven chiaroscuro impressions of this woodcut in museum collections.

更多来自 古典大师版画

查看全部
查看全部