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拍品专文
Decorative stone panels were incorporated into furniture design as early as the Han period. Decorative stone panels have long been prized by the literati for their abstract imagery and complex patterns. Often evoking dramatic landscapes, these panels were set into tables, display stands or screens. The most attractive panels were reserved for larger furniture, such as wall panels and the railings of louhan beds. The presence of beautifully variegated stone-inset furniture was a signifier of taste and wealth popularized by the Ming dynasty arbiter of taste Wen Zhenheng in his text, Treatise on Superfluous Things.
A set of four huanghuali marble-inset horseshoe-back armchairs, formerly in the collection of the Museum of Classical Chinese furniture, is illustrated by Wang Shixiang and Curtis Evarts, Masterpieces from the Museum of Classical Chinese Furniture, Chicago and San Francisco, 1995, pp. 62-63, no. 29. Similar to the present pair, this set of four horseshoe-back armchairs features a three-part backsplat with a marble panel in the central circular medallion. The present pair belongs to a group of chairs with three-part back splats that can be dated to the Ming period. A set of four huanghuali horseshoe-back armchairs, formerly in the Robert H. Ellsworth Collection feature back splats of similar design, distinguished by a finely carved openwork panel with ruyi head and a beautifully figured huanghuali panel suggestive of a landscape (two of which are illustrated as fig. 1). See, also, similarly constructed backsplats from a pair of jichimu Four Corner’s Exposed Official’s Hat Armchairs and a single huanghuali ‘southern official’s hat’ armchair, illustrated in Wang Shixiang and Curtis Evarts, Masterpieces from the Museum of Classical Chinese Furniture, Chicago and San Francisco, 1995, p. 52, no. 24 and p. 69, no. 32.
A set of four huanghuali marble-inset horseshoe-back armchairs, formerly in the collection of the Museum of Classical Chinese furniture, is illustrated by Wang Shixiang and Curtis Evarts, Masterpieces from the Museum of Classical Chinese Furniture, Chicago and San Francisco, 1995, pp. 62-63, no. 29. Similar to the present pair, this set of four horseshoe-back armchairs features a three-part backsplat with a marble panel in the central circular medallion. The present pair belongs to a group of chairs with three-part back splats that can be dated to the Ming period. A set of four huanghuali horseshoe-back armchairs, formerly in the Robert H. Ellsworth Collection feature back splats of similar design, distinguished by a finely carved openwork panel with ruyi head and a beautifully figured huanghuali panel suggestive of a landscape (two of which are illustrated as fig. 1). See, also, similarly constructed backsplats from a pair of jichimu Four Corner’s Exposed Official’s Hat Armchairs and a single huanghuali ‘southern official’s hat’ armchair, illustrated in Wang Shixiang and Curtis Evarts, Masterpieces from the Museum of Classical Chinese Furniture, Chicago and San Francisco, 1995, p. 52, no. 24 and p. 69, no. 32.