A HUANGHUALI CORNER-LEG PAINTING TABLE
Prospective purchasers are advised that several co… 显示更多 PROPERTY FROM THE RAYMOND HUNG COLLECTION
A HUANGHUALI CORNER-LEG PAINTING TABLE

QING DYNASTY, 17TH-18TH CENTURY

细节
A HUANGHUALI CORNER-LEG PAINTING TABLE
QING DYNASTY, 17TH-18TH CENTURY
The single-panel top is set into a rectangular frame ‘four-sides-flush’ supported on thick square-sectioned legs terminating in short hoof feet. The gracefully-curved and slightly-recessed humpback stretchers are of square section, and touch the underside of the top frame.
33 in. (83.8 cm.) high, 78 in. (198.2 cm.) wide, 22 1/2 in. (57.2 cm.) deep
出版
R. Hatfield Ellsworth, N. Grindley and Anita Christy, Chinese Furniture: One Hundred Examples from the Mimi and Raymond Hung Collection, vol. I, New York, 1996, pp. 156-157, no. 57
注意事项
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory, tortoiseshell and crocodile. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

荣誉呈献

Stephenie Tsoi
Stephenie Tsoi

拍品专文

The unusual and rustic form of this table, with its distinct lack of ornamentation and stripped down construction, only highlights its massive form and generous use of huanghuali. Lacking a waist or aprons, the structure is supported purely by the solid members of the frame and legs, and by the sinuous curve of the humpback stretchers, which directly abut the underside of the table frame itself. The rigid angularity of the form is softened somewhat by the curve of the stretchers, and by the restrained groove cut into the inside edge of the outside face of the legs.

Few examples of this form are known; a related example, but with tapering legs and with diminutive aprons, was sold at Christie’s New York, 21 March 2000, lot 8. Another corner-leg table with square legs and without aprons, but with ‘giant’s arm’ braces instead of humpback stretchers, is illustrated by R. Ellsworth, Chinese Furniture: Hardwood Examples of the Ming and Early Ch’ing Dynasties, New Fairfield, CT, 1970, no. 54.

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