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New York Interior, 1941
细节
EDWARD WESTON (1886–1958)
New York Interior, 1941
gelatin silver print, mounted on board
initialed and dated in pencil (mount, recto); signed and titled in pencil (mount, verso)
image/sheet: 9 1/8 x 7 5/8 in. (23.2 x 19.3 cm.)
mount: 16 3/8 x 13 5/8 in. (41.5 x 34.5 cm.)
New York Interior, 1941
gelatin silver print, mounted on board
initialed and dated in pencil (mount, recto); signed and titled in pencil (mount, verso)
image/sheet: 9 1/8 x 7 5/8 in. (23.2 x 19.3 cm.)
mount: 16 3/8 x 13 5/8 in. (41.5 x 34.5 cm.)
来源
Frank H. Boos Gallery, Bloomfield Hills, Michigan, February 1, 2001, lot 801;
acquired from the above sale by the present owner.
acquired from the above sale by the present owner.
出版
Sarah M. Lowe and Dody Weston Thompson, Edward Weston: Life Work: Photographs from the Collection of Judith G. Hochberg and Michael P. Mattis, Lodima Press, Revere, Pennsylvania, 1981, n.p., pl. 64.
Amy Conger, Edward Weston: Photographs from the Collection of the Center for Creative Photography, Center for Creative Photography, Tucson, 1992, fig. 1661/1941 (variation).
Cole Weston and Susan Morgan, Edward Weston: Portraits, Aperture Foundation, New York, 1995, n.p (variation).
Amy Conger, Edward Weston: The Form of the Nude, Phaidon Press Limited, London, 2005, pp. 120-121 (variations).
Amy Conger, Edward Weston: Photographs from the Collection of the Center for Creative Photography, Center for Creative Photography, Tucson, 1992, fig. 1661/1941 (variation).
Cole Weston and Susan Morgan, Edward Weston: Portraits, Aperture Foundation, New York, 1995, n.p (variation).
Amy Conger, Edward Weston: The Form of the Nude, Phaidon Press Limited, London, 2005, pp. 120-121 (variations).
注意事项
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is such a lot.