Untitled #206

细节

Cindy Sherman (b. 1954)
Untitled #206
signed, numbered and dated 'Cindy Sherman 1/6 1989' (on the reverse of the backing board)
color coupler print in artist's frame
75 x 53 in. (190.5 x 134.6 cm.)
Executed in 1989. This work is number one from an edition of six.

来源

Metro Pictures, New York
Acquired from the above by the present owner, 1990

出版

A. Danto, Cindy Sherman: History Portraits, New York, 1991, p. 22, no. 5 (another example illustrated).
R. Krauss, Cindy Sherman 1975-1993, New York, 1993, p. 185 (another example illustrated).

展览

Barcelona, Centre d'Art Santa Mònica, To Be and Not to Be, April-June 1990, p. 196 (illustrated).
Paris, Jeu de Paume; Kunsthaus Bregenz; Humlebaek, Louisiana Museum of Modern Art and Berlin, Martin-Gropius-Bau, Cindy Sherman, May 2006-September 2007, n.p. (another example exhibited and illustrated).

注意事项

On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is such a lot.

荣誉呈献

Alex Berggruen

aberggruen@christies.com +1 212 636 2100

拍品专文

"Once I’m set up, the camera starts clicking, then I just start to move and watch how I move in the mirror. It’s not like I’m method acting or anything. I don’t feel that I am that person. I may be thinking about a certain story or situation, but I don’t become her. There’s this distance. The image in the mirror becomes her – the image the camera gets on the film. And the one thing I’ve always known is that the camera lies.” (C. Sherman, quoted in E. Respini, “Will the Real Cindy Sherman Please Stand Up?”, Cindy Sherman, exh. cat, Museum of Modern Art, New York, 2012, p. 23)

Untitled #206

荣誉呈献

拍品专文

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