August Macke (1887-1914)
August Macke (1887-1914)

Grosser Akt auf rotem Tuch

细节
August Macke (1887-1914)
Grosser Akt auf rotem Tuch
oil and gouache on paper
24 3/4 x 19 1/2 in. (62.7 x 49.5 cm.)
Executed in 1912
来源
The artist's estate (with the Nachlass stamp, Lugt L.1775b; on the reverse of the mount).
Galerie Gunter Franke, Munich, circa 1920-1938.
Galerie W. Ketterer, Stuttgart.
Dr. Hoeschen, Bad Oeynhausen.
Collection Ströher, Darmstadt, by 1955.
David B. Findlay Gallery, New York, by 1968.
Herbert & Natalie Kirshner, New York; sale, Ketterer Kunst, Munich, 19 May 2001, lot 13.
Galerie Thomas, Munich, acquired at the above sale.
Private collection, Munich, by whom acquired from the above in 2003, and thence by descent.
出版
G. Vriesen, August Macke, Stuttgart, 1957, no. 172 (illustrated p. 282).
U. Heiderich, August Macke, Aquarelle, Werkverzeichnis, Ostfildern-Ruit, 1997, no. 160, pp. 236, 237 (illustrated p. 237).
展览
Frankfurt, Kunstverein, August Macke, May - June 1920, no. 42; this exhibition later travelled to Wiesbaden, Neues Museum.
Cologne, Museen der Stadt, August Macke, June - July 1947, no. 108.
Trier, Werkschule, August Macke, October - November 1947, no. 33.
Oldenburg, Kunstverein, August Macke, Gemälde, Aquarelle und Zechnungen, December 1948 - January 1949, no. 42.
Bochum, Richard-Baltz-Haus, August Macke, April - May 1949, no. 44.
Duisburg, Städtisches Kunstmuseum, August Macke, May 1949, no. 74.
Dortmund, Museum am Ostwall, August Macke, June - July 1949, no. 74.
Den Haag, Gemeentemuseum, August Macke, December 1953 - January 1954, no. 84.
Amsterdam, Stedelijk Museum, August Macke, February - March 1954, no. 38.
Braunschweig, Kunstverein, August Macke, October 1954, no. 129.
Bielefeld, Städtisches Kunsthaus, Macke, 1887-1914, June - July 1957, no. 172 (illustrated p. 25).

拍品专文

According to the Catalogue raisonné of the watercolours by Dr. Ursula Heiderich, the figure depicted is probably Elisabeth Erdmann-Macke, wife of the artist. As of the end of 1910, Macke lived with his family in Bonn, where he devoted himself to his immediate domestic and spatial surroundings. Throughout this time, Macke repeatedly paints his wife Elisabeth, whether reading, sewing or resting, and with their son Walter who was born in 1910.

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