Rose Wrench (Salvage)

"The use of the familiar is obscure, the use of the exotic is familiar. Neither sacrifices completely its origin but the mind has to travel to follow just as the eye has to change focus. In the end a viewed painting has been an invitation not a command" (R. Rauschenberg, 'Öyvind Fahlström (1961)', Art and Literature 3 (1964), p. 214).