Vergewaltigt, from: Bauernkrieg
细节
Käthe Kollwitz (1867-1945)
Vergewaltigt, from: Bauernkrieg
etching, 1907/08, on heavy wove paper, signed in pencil, the full sheet, with creasing at sheet edges, sheet slightly toned, otherwise in good condition; together with, Sturm, from: Ein Weberaufstand (Kn.38), etching, 1893-7, on wove paper, unsigned; with, Beim Dengeln (Kn. 88) etching and aquatint, 1905, on wove paper, unsigned, the full sheet; with, Überfahren (Kn. 110) etching and aquatint, 1910, on wove paper, unsigned, in generally good condition
Plate: 308 x 528 mm., Sheet: 560 x 725 mm.
(4)
Vergewaltigt, from: Bauernkrieg
etching, 1907/08, on heavy wove paper, signed in pencil, the full sheet, with creasing at sheet edges, sheet slightly toned, otherwise in good condition; together with, Sturm, from: Ein Weberaufstand (Kn.38), etching, 1893-7, on wove paper, unsigned; with, Beim Dengeln (Kn. 88) etching and aquatint, 1905, on wove paper, unsigned, the full sheet; with, Überfahren (Kn. 110) etching and aquatint, 1910, on wove paper, unsigned, in generally good condition
Plate: 308 x 528 mm., Sheet: 560 x 725 mm.
(4)
出版
Knesebeck 101 VI b (of VIII)
注意事项
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更多详情
“I felt that I have no right to withdraw from the responsibility of being an advocate. It is my duty to voice the sufferings of people, the sufferings that never end and are as big as mountains.”
Käthe Kollwitz
The etchings and lithographs of Käthe Kollwitz simultaneously captured the human sentiment at its most raw and tender. The artist sought to celebrate not only the humanity, but also the struggles of the proletariat; finding inspiration from the poorest of citizens attending her husband’s medical clinic. Living through political upheavals and the horrors of two World Wars, her own anguishes were documented by her successive self-portraits, yet Kollwitz continued to give a voice to those whom could so easily have been forgotten.
Käthe Kollwitz
The etchings and lithographs of Käthe Kollwitz simultaneously captured the human sentiment at its most raw and tender. The artist sought to celebrate not only the humanity, but also the struggles of the proletariat; finding inspiration from the poorest of citizens attending her husband’s medical clinic. Living through political upheavals and the horrors of two World Wars, her own anguishes were documented by her successive self-portraits, yet Kollwitz continued to give a voice to those whom could so easily have been forgotten.