Thomas Jones (Trevonen, Powys 1742-1803 Pencerrig, Powys)
PROPERTY OF A GENTLEMAN (LOTS 164, 206 & 225)
Thomas Jones (Trevonen, Powys 1742-1803 Pencerrig, Powys)

An extensive landscape with houses seen from the Porta Pia, Rome

细节
Thomas Jones (Trevonen, Powys 1742-1803 Pencerrig, Powys)
An extensive landscape with houses seen from the Porta Pia, Rome
signed with initials and inscribed 'TJ / without the Porta Pia Roma' (on the reverse)
oil and pencil on paper
8 7/8 x 15 1/8 in. (22.6 x 38.5 cm.)
来源
By descent from the artist to his younger daughter Elizabetha (1781-1806), and by her inheritance to her husband,
Captain John Dale, and by descent to the following,
Mrs Elphinstone Farrier, 42 Pont Street S.W.1 [The Property of a Lady whose husband was a descendant of Thomas Jones, a pupil of Richard Wilson, R.A.]; Christie's, London, 2 July 1954, probably lot 215 (6 gns. to the following),
with Colnaghi's, London, where acquired by
Sir Francis Watson, KCVO (1907-1992), by 1958, and by inheritance to the present owner.
展览
Norwich, Castle Museum, Eighteenth Century Italy and the Grand Tour, 23 May- 27 July 1958, no. 34.
Rome, Il Settecento a Roma, 19 March-31 May 1959, no. 310.
London, Marble Hill House, Twickenham, and Cardiff, National Museum of Wales, Thomas Jones (1742-1803), 1 June-30 September 1970, no. 39.

荣誉呈献

Emily Harris
Emily Harris

查阅状况报告或联络我们查询更多拍品资料

登入
浏览状况报告

拍品专文

This view of the Roman campagna beyond the city walls would appear to date to the summer of 1778, a period Jones vividly describes in his marvellously evocative memoirs: 'June 1st [1778] - Ten Cardinals were elected - During the last as well as the present and succeeding Months, I made many very agreeable excursions to a Villa near S'o Agnese without the Porta Pia - This Villa was situated upon a gentle Ascent which commanded a view of the City of Rome on One hand, and the Campagna with the Appenine Mountains on the Other - it belonged to Sig're Martinelli, a Roman, of good family, but rather reduced in Circumstances - He had originally a large Extent of Vineyards about it, but had been obliged to dispose of the greatest part to Barrazzi the Banker, who had built himself a handsome Country house in the Neighbourhood - With this Sig're Martinelli, little Couzins the Landscape Painter lodged in Rome and as he was not well in health, when the Weather was favourable, resided at this Villa for the benefit of the Air, and riding on a jackAss which he had purchased for that purpose - Here I made some Studies in Oil of the surrounding Scenery and was accommodated with a nice Poney whenever I pleased to take an Airing with little Cousins and his jackAss' (A.P. Oppé (ed.), 'Memoirs of Thomas Jones', Walpole Society, XXXII, 1946-48, p. 73).

Sir Francis Watson, K.C.V.O., F.B.A., F.S.A., (1907-1992) was Director of the Wallace Collection from 1963 until 1974 during which time he established his great reputation as a leading authority on the arts of France and Italy in the 18th century. His 1956 Catalogue of Furniture in the Wallace Collection received international acclaim and broke new ground in the field of serious catalogues of objects other than painting and sculpture. Between 1966 and 1970 he wrote the meticulous catalogue of the Wrightsman Collection in the Metropolitan. He also wrote books on Canaletto, Tiepolo and Fragonard. He was Surveyor of the Queen’s Works of Art, Slade Professor of Fine Art at Oxford (1969-70), Wrightsman Professor at New York University (1970-71), Kress Professor at the National Gallery in Washington (1975-76), and was awarded the Gold Medal of New York University in 1966.

更多来自 古典大師及英國繪畫 (日间拍卖)

查看全部
查看全部