The Turn of the Plough

细节

George Gascoyne (1861-1933)
The Turn of the Plough
signed 'G. Gascoyne' (lower left) and further signed and inscribed 'The Turn of the Plough/by George Gascoyne/8 Gloucester Mansions/Harrington Gardens/London' (on the reverse)
oil on canvas
79 x 165 in. (200 x 419 cm.)
In its original giltwood and composition frame

来源

The Junior Carlton Club, London, from whom purchased by the present owner.

出版

L. Lovatt-Smith, London Living, London, 1997, p.183.

展览

London, Royal Academy, 1894, no.879.

注意事项

This lot will be removed to an off-site warehouse at the close of business on the day of sale - 2 weeks free storage

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拍品专文

George Gascoyne was a painter and engraver. He studied at The Slade and exhibited at the Royal Academy from 1884. The Studio Magazine, writing in 1915, considered '...the horse that serves the worker in the fields [is where] Mr Gascoyne is pictorially most intimate...and in this vein..is seen at his best' (Vol.63. p.144). The Turn of the Plough exemplifies this subject matter and is painted in the social realist tradition advocated by Hubert von Herkomer. It was exhibited a year before Herkomers pupil and Gascoynes near contemporary, Lucy Kemp-Welch showed her early landmark picture Gypsy Horse Drovers. Heavy horses working the land was a subject that Kemp-Welch was to make her own, as seen in such works as Ploughing on the South Coast (London, Royal Academy, 1902, no264.), but the present picture, in it's scale, compostion and grandeur shows Gascoyne as her equal.