The Collection of Robert Shapazian
"In a certain sense, Warhol was a follower of Duchamp. When he asked an assistant, Nathan Gluck, to bring some cardboard boxes from the supermarket near his house, he was disappointed when Gluck brought back boxes with elegant designs. Andy wanted something more common...But Warhol was not anti-aesthetic in quite the way Duchamp was. Duchamp was trying to liberate the art from having to please the eye. Warhol's motives were more political. He really liked the fact that what Americans eat is always the same and tastes predictably the same" (A. Danto, Andy Warhol, New Haven, 2009, p. 56).
Andy Warhol (1928-1987)
Campbell's Tomato Juice Box
细节
Andy Warhol (1928-1987)
Campbell's Tomato Juice Box
signed and inscribed 'Andy Warhol Billie Burke' (on the underside)
silkscreen ink and house paint on plywood
10 x 19 x 19½ in. (25.4 x 48.3 x 24.1 cm.)
Executed in 1964.
Campbell's Tomato Juice Box
signed and inscribed 'Andy Warhol Billie Burke' (on the underside)
silkscreen ink and house paint on plywood
10 x 19 x 19½ in. (25.4 x 48.3 x 24.1 cm.)
Executed in 1964.
来源
William Burke, Paris
Anon. sale; Binoche/Godeau, Paris, 27 November 1994, lot 53
Charles Cowles Gallery, New York
James Corcoran, Los Angeles
Anon. sale; Binoche/Godeau, Paris, 27 November 1994, lot 53
Charles Cowles Gallery, New York
James Corcoran, Los Angeles
出版
G. Frei and N. Printz, eds., The Andy Warhol Catalogue Raisonné of Paintings and Sculptures, 1964-1969, vol. 2A, New York, 2004, p. 94, no. 852.
展览
Omaha, Joselyn Art Museum, The Chosen Object: European and American Still Life, April-June 1977, no. 85.
Camden, Stedman Art Gallery, Fine Arts Center, Conspicuous Display, January-February 1989.
Camden, Stedman Art Gallery, Fine Arts Center, Conspicuous Display, January-February 1989.