A GEORGE III MAHOGANY BREAKFRONT BOOKCASE
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A GEORGE III MAHOGANY BREAKFRONT BOOKCASE

ATTRIBUTED TO MAYHEW & INCE OR THOMAS CHIPPENDALE, CIRCA 1760

细节
A GEORGE III MAHOGANY BREAKFRONT BOOKCASE
ATTRIBUTED TO MAYHEW & INCE OR THOMAS CHIPPENDALE, CIRCA 1760
The arched pediment centred by an oval rosette and husk swags above a dentil cornice and three astragal glazed doors, the interior fitted with nine shelves and later lined, above four mahogany-lined drawers and panelled doors with corner roundels on a plinth base, with hand-written labels to the top 'MISS THEED', and with storage labels 'THE PANTECHNICON BELGRAVE SQUARE, S.W.1', inscribed 'Miss Tayler 14.2.43', two panels cracked
98 in. (249 cm.) high; 61 in. (155 cm.) wide; 18½ in. (49 cm.) deep
来源
Miss Theed.
Miss Tayler.
注意事项
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

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Isobel Bradley
Isobel Bradley

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拍品专文

The arched pediment enclosing an oval patera relates closely to that on another bookcase sold anonymously, Christie's, New York, 19 April 2001, lot 179 ($110,500) as well as one sold by Jeremy Ltd., Dealing in Excellence: A Celebration of Hotspur & Jeremy, Christie's, London, 20 November 2008, lot 90 (£73,250). Like the present bookcase, the latter was also thought to have been made by the Golden Square partnership of Mayhew and Ince, that was in existence from the late 1750s until 1804. Each of the bookcases share the same shaped pediment and panels of richly figured mahogany in the base.
Whilst an attribution to Mayhew and Ince has been advanced for such bookcases, there is little beyond stylistic affinities to link the object to the maker. Other leading London cabinet-makers might also be considered, including Thomas Chippendale, who supplied similarly restrained neo-classical furniture to Sir Rowland Winn at Nostell Priory, including a set of eight Library armchairs and a set of six Library armchairs for Lord Melbourne, now at Brocket Hall, each set featuring the distinctive oval patera in the toprail (C. Gilbert, The Life and Work of Thomas Chippendale, London, 1978, vol. II, p. 92-93, figs. 150-1). Furthermore, the pattern of glazing bars featured on a bookcase published by Chippendale in his Gentleman and Cabinet-Maker's Director, 1st edition, 1754, pl. 67.