A GROUP OF SEVEN HAND-COLOURED ENGRAVINGS OF THE PALACE OF EMPEROR ANTONINUS PIUS, ROME
No VAT will be charged on the hammer price, but VA… 显示更多 THE PROPERTY OF A LADY
A GROUP OF SEVEN HAND-COLOURED ENGRAVINGS OF THE PALACE OF EMPEROR ANTONINUS PIUS, ROME

LATE 18TH CENTURY

细节
A GROUP OF SEVEN HAND-COLOURED ENGRAVINGS OF THE PALACE OF EMPEROR ANTONINUS PIUS, ROME
LATE 18TH CENTURY
Hand-coloured with bodycolour
The title margins 'Equiti Josepho Nicolao de Azara Pontentiss Caroli III Hisp. Reg. Catholici apud S.Sedem Pro-Legale/Proeuratorique Generali aequo Bonarum Artium aestimatori et c' cut and applied to the reverse of the contemporary English giltwood frames, the frames each with engraved paper label 'Tomkins/CARVING AND GILDING/STATIONER AND PRINTSELLER/ No.49 New Bond Street/London
Four -- 23½ x 28in. (59.7 x 71cm.) overall; two -- 23½ x 36in. (59.7 x 91.5cm.) overall; one -- 23½ x 22¼in. (59.7 x 56.5cm.) overall (7)
注意事项
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

登入
浏览状况报告

拍品专文

The plates
Two centries ago the discovery of Roman wall-frescoes in the Villa Negroni on the Esquiline Hill, caused particular interest as the first of such decoration to be discovered in Rome since the excavations at Pompeii and Herculaneum. The finding of the Emperor Antoninus Pius' house in 1777 was made by Cavalier J.N. de Azara, Minister to Rome of Carlos III of Spain. The King's artist, Anton Raphael Mengs (d.1790) was employed to copy the frescoes for a publication instigated by the architect Camillo Buti; as they no longer survive it was fortunate that he specified that the copies should be made 'With the most scrupulous exactness ... so that one can form an idea of the taste of the ancients in this type of mixed ornamental and figural painting'. Plans, descriptions of the 'antique rooms' and two of Angelo Campanella's hand-coloured engravings of the 'Arabische' frescoes, featured in the first part of his Manifesto, 1778. The twelth plate was not published until 1802, and while Mengs completed the first three paintings, the remainder were executed by Anton von Maron, his brother-in-law. In 1778 the connoisseur Frederick Augustus Hervey, 4th Earl of Bristol and Bishop of Derry (d. 1803), contemplated the building of a villa 'Tusculum', inspired by the Villa Negroni, at his County Derry property, and involved in the scheme the architect Sir John Soane, who was then in Rome. Soane purchased some of the Buti plates, which were to influence the architecture of his own London house in Lincoln Inn's Fields, but it was the acquisition of the first eight plates for £2.8.0. at Christie's sale of the 1st May 1796, that served as vibrant wall-decoration in his Libary/Breakfast Parlour. They featured as lot 21: 'The paintings of a house of Antoninus Pius discovered in the Villa Negroni, beautifully executed in colours on 8 sheets, by Camillo Buti', and were illustrated in an engraving of Soane's Parlour made in 1813 (see H.Joyce, 'Ancient Frescoes from the Villa Negroni', Art Bulletin, Sept. 1983, pp.423-40).
The plates were as follows:

pl. I - Venus with putti. From same room as pl.III
pl. II - Venus and wounded Adonis. From same room as pls. IV and XI
pl. III - Venus and nymph with putti. From same room as pl. I.
pl. IV - Adonis with Youth. From same room as pl. II and XI
pl. V - Drunken Hercules
pl. VI - Venus and Adonis. From same room as pl. IX
pl. VII - Bacchus and Ariadne. From same room as pls. V and XII
pl. VIII- Minerva with trophy.
pl. IX - ?Mars, Venus and Cupid; still life
pl. X - Sacrificial scene attended by winged Victory
pl. XI - Adonis. From same room as pls. II and IV
pl. XII - Flute-playing satyr, Silene and bacchante. From same room as pls. V and VII.

Six prints from the same series, bought in Rome by Jonas Brooke in 1784, were sold from Mere Hall, Knutsford, Cheshire, Christie's house sale, 23 May 1994, lots 228-230. A further seven from the series sold The Legend of Dick Turpin, Christie's, London, 9 March 2006, lot 220 £21,600.
The frame maker Tomkins
The 'Dictionary of English Furniture Makers 1660-1840' (Beard/Gilbert ed., 1986) records a Tomkins, J.F. or J.T. as frame maker (1790-96) recorded at New Bond Street, 1795-96. Commissions recorded include a number for Lord Howard of Audley End, Essex, for his London house in New Burlington Street.