A GEORGE III GILTWOOD AND WHITE-PAINTED PIER GLASS AND CONSOLE TABLE
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A GEORGE III GILTWOOD AND WHITE-PAINTED PIER GLASS AND CONSOLE TABLE

LATE 18TH CENTURY

细节
A GEORGE III GILTWOOD AND WHITE-PAINTED PIER GLASS AND CONSOLE TABLE
LATE 18TH CENTURY
The rectangular divided plate within beaded border, surrounded by smaller plates, the demi-lune pier table with later white marble top, the frieze with bow and swag decoration, on fluted tapering legs, decorated, replacements to the plates
The pier-glass - 106 x 50 3/8 in. (269 x 128 cm.) (2)
注意事项
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

拍品专文

The elliptic pier-table is wreathed with a ribboned veil festoon in the 1770s antique, or Roman, fashion popularised by architects such as Robert Adam (d. 1792) and James Wyatt (d. 1813). Its columnar legs are wreathed in laurels, en suite with the pier-glass. A late l8th century table at Osterley Park, Middlesex, is similarly festooned and decorated in white and gold in the French fashion (M. Tomlin, Catalogue of Adam Period Furniture, London, 1982, T/9). The lowering of a pier-glass to be incorporated as part of the table occurred with the pier-table of the Piccadilly Room at Apsley House, London, in the late l9th century (J. Voack, Apsley House, London, 1998, p. 40).