The chairs are part of a suite of furniture which belonged to Paolo Renier (1710-1789) last Doge of Venice. A portrait of the Doge by Ludovico Gallina (1710-1789), (now in the Musco Civico, Padua) depicts Renier with a console table and armchairs from the suite. Other chairs from the suite are in the Ca'Rezzonico, the Cini Collection. Wallace Collection (illustrated F.J.B. Watson, Wallace Collection Catalogues: Furniture, 1956, fig. 491-2, pl. 36) and various private collections. A group of armchairs were sold from the Dona delle Rose Collection in Venice, 1934, lots 364071. In the catalogue G. Lorenzetti and L. Planiscig attributed the suite to the sculptor Antonio Coradini (c. 1700-1725) because of the stylistic similarities between it and fragments of the last state barge (Bucintoro) which was claimed to have been executed by Corradini. However, Alvar Gonzalez-Palacios suggests that the suite may not be by Corradini and could be the work of a single anonymous workshop and dates to the third quarter of the eighteenth century. It seems unlikely that Renier, who only became Doge in 1779, would have had himself painted with the furniute that was already thirty years old. That coupled with stylistic similarities between the suite and other pieces dated to the 1770s such as a picture frame for a portrait of Barnardo Castello now in the Ca'Rezzonico (illustrated ibid. fig. 786), would point to a date of prior to 1779 to these chairs