拍品专文
This exotic cabinet typifies the eclectic fashion in the early 19th Century for fusing the antique and oriental styles. The Grecian acroteria-enriched cornice and Pompeian columnettes relate to a Lady's cabinet illustrated in Richard Brown's Rudiments of Drawing Cabinet and Upholstery Furniture, 1822, and to a pattern introduced by George Bullock of the Grecian Rooms, Piccadilly, around 1815.
The garden panel with a parrot and butterflies inhabiting a flowering shrub derives from Chinese wall-paper patterns while the gilt oriental landscapes on an iron-red ground relate to wall-paintings introduced about 1817 by the decorative painter Frederick Crace in the Marine Pavilion at Brighton for George, Prince of wales (d.1830) (see: M.Aldrich ed., The Craces: Royal Decorators 1768-1899, Brighton, 1990, fig.3)
Similar polychrome tole panels appear on a group of low side cabinets associated with the Allgood family of Pontypool, of which one was sold anonymously, Sotheby's London, 5 May 1989, lot 105.
The garden panel with a parrot and butterflies inhabiting a flowering shrub derives from Chinese wall-paper patterns while the gilt oriental landscapes on an iron-red ground relate to wall-paintings introduced about 1817 by the decorative painter Frederick Crace in the Marine Pavilion at Brighton for George, Prince of wales (d.1830) (see: M.Aldrich ed., The Craces: Royal Decorators 1768-1899, Brighton, 1990, fig.3)
Similar polychrome tole panels appear on a group of low side cabinets associated with the Allgood family of Pontypool, of which one was sold anonymously, Sotheby's London, 5 May 1989, lot 105.