THE DESIGN ATTRIBUTED TO J. G. CRACE

细节

AN EARLY VICTORIAN OAK AND MARQUETRY CENTRE TABLE
The design attributed to J. G. Crace
The circular moulded top banded with interlocking floral designs between rosettes, on a burr-walnut ground with central lobed conforming panel centred by a rosette, on a central fluted shaft studded with verde marble brambles between paterae and surrounded by four fluted columns with lobed bases, on a shaped plinth with outscrolled leaf-wrapped feet and brass castors, the top repositioned, the underside with paper label inscribed with 'Gordon' and with chalk inscription 'Stratidee Northfield Broken'
29¼ in. (74 cm.) high; 47¼ in. (120 cm.) diam.

注意事项

No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

拍品专文

Patterns for inlaid table-tops on related frames with reeded and fluted pillars featured in the Shoreditch manufacturers C. & R. Light's Designs and Catalogue of Cabinet and Upholstery Furniture, 1877 (E. T. Joy, The Pictorial Dictionary of British 19th Century Furniture Design, Woodbridge, 1977, p. 503). A related frame appears on a library-table at Knightshayes Court, Devon, which may have been amongst the furniture introduced by John Diblee Crace (d. 1919) around 1880 (M. Aldrich, The Craces: Royal Decorators, Brighton, 1990, p. 119). A related design for a table-top was illustrated in the Craces' The Workshop, vol II, 1871.