GIOVANNI DO* (active first half of the 17th Century)

细节
GIOVANNI DO* (active first half of the 17th Century)

The Adoration of the Shepherds

oil on canvas
57½ x 66½in. (146 x 168.9cm.)
来源
Anon. sale, Christie's, London, Jan. 31, 1919, lot 135, as Caravaggio (13 gns. to Ward)
T. Humphrey Ward; sale, Christie's, London, Jan. 28, 1921, lot 104, as Caravaggio
Dr. Beer, sale, Christie's, London, May 6, 1929, lot 114, as Herrera
Estate of James R. Herbert Boone; sale, Sotheby's, New York, Oct. 21, 1988, lot 96 ($32,000)
展览
Northampton, MA, Smith College Museum of Art, Baroque Painters in Italy, November 17, 1989-Feb. 8, 1990, loaned by Dr. Croce (no catalogue)
Wilmington, DE, Delaware Art Museum, Mostly Baroque: Italian Paintings and Drawings from the Carlo Croce Collection, Apr. 24-June 14, 1992, as Jusepe de Ribera (no catalogue)

The present lot is a version, with minor differences, of Do's painting in the Real Academia de San Fernando, Madrid (see N. Spinosa, La Pittura Napoletana del '600, 1984, fig. 311). The present work and that in the Real Academia appear in turn to be influenced by Jusepe de Ribera's painting in the Monasterio de San Lorenzo, El Escorial previously given by Spinosa to Ribera and Do (ibid, fig. 309) but now given fully to Ribera (see the catalogue of the exhibition, Jusepe da Ribera, Metropolitan Museum of Art, Sept. 18-Nov. 29, 1992, pp. 144-5, no. 58, illustrated)

We are grateful to Professor Nicola Spinosa for confirming the attribution

拍品专文

The present lot is a version, with minor differences, of Do's painting in the Real Academia de San Fernando, Madrid (see N. Spinosa, La Pittura Napoletana del'600, 1984, fig. 311). The present work and that in the Real Academia appear in turn to be influenced by Jusepe de Ribera's painting in the Monasterio de San Lorenzo, El Escorial then given by Spinosa to Ribera and Do (op. cit., fig. 309) but now given fully to Ribera. (See, for example, the catalogue of the exhibition, Ribera, Metropolitan Museum of Art edition, Sept. 18 -Nov. 29, 1992, pp. 144-5, no. 58, illustrated