拍品专文
In 1950 Henry Moore created four bronze variants of a rocking chair as toys for his four-year-old-daughter Mary. The artist noted, "I discovered while doing them that the speed of the rocking depended on the curvature of the base, the disposition of the weights and balance of the sculpture, so each of them rocks at a different speed." (as quoted in J. Hedgecoe, Henry Moore, New York, 1968, p. 178)
The present work is a smaller, more intimate version of Rocking Chair No. 3 (Bowness, vol. 2, no. 276), which is more closely related to Rocking Chair No. 1 (Bowness, vol. 2, no. 274), in that the depiction of the mother and chair is more abstract and simplified in form. The figure of the mother is probably based on a sculpture of an Egyptian fertility goddess located in the British Museum.
The present work is a smaller, more intimate version of Rocking Chair No. 3 (Bowness, vol. 2, no. 276), which is more closely related to Rocking Chair No. 1 (Bowness, vol. 2, no. 274), in that the depiction of the mother and chair is more abstract and simplified in form. The figure of the mother is probably based on a sculpture of an Egyptian fertility goddess located in the British Museum.